A corrected version of the February 26, 2020 newsletter published by the Weavers Guild of Minnesota, containing an announcement of a Guild sale at the Minnesota State Fairgrounds in St. Paul; highlights of upcoming classes with pictures of finished objects; a list of upcoming summer camp sessions; an article on Textile Center Library borrowing privileges; information on the New and Occasional Weavers group meeting on preparing handwoven for the State Fair with Donna Hanson, and on local fiber-related events; links to a list of Midwest fiber resources, and an obituary of Detta of Detta's Spindle; a request for pictures of current projects for the newsletter; a welcome to new members; and a calendar of upcoming Guild activities.
Volume 1, number 3 of Minnesota Crafts Council (MCC) Craft Connection was published in 1975 and is centered around art fairs. Contents include reflections on art fairs; Nelson Brown's art fair List; personal reflections on juried art fairs; collection of thoughts on art fairs from artists; profiles of popular midwest art fairs (Lakefront Festival of Arts, 57th Street Art Fair, Ann Arbor Street Art Fair, and Minnesota Craftspeoples Festival); art fair questionnaire; Twin Cities first Street Artist Guild; order forms for a corks sale at Minnesota Clay Company; order forms for the Lien Kick Wheel from Atypical Woodwork & Design; and a review of Pyroman Meets Gorilla, a workshop with clay artists Don Reitz and Peter Voulkos.
Volume 2, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in 1976. Contents include the Minnesota Artists Exhibition Program; proposal of various committees for MCC; report on the National Endowment for the Arts' Master Craftsman Apprenticeship Program; potter Nils Lou and apprentice Howard Kiefer; the Twin Cities Metropolitan Arts Alliance; information on services, health insurance, taxes, legal assitance, and other legal issues for artists; the formation of a gallery and studio space for the Women's Art Registry of Minnesota (W.A.R.M); and summary of the 1976 Minnesota Crafts Festival.
Volume 1, number 4 of Minnesota Crafts Council (MCC) Craft Connection was published in 1976 and is labeled the Snap Shot Show. Contents include an editorial on the art community and the artist's relation to society; a no-jury snap shot show featuring 82 slide images of works created by Craft Connection readers; and tips for taking good slide images, including information on cameras, types of lighting, lighting set up, and image storage.
Volume 3, number 2 of Minnesota Crafts Council (MCC) Craft Connection was published in April 1977 and is centered around marketing crafts. Contents include a note on the publication's new logo and look designed by Jan Van Dyke; call for artists for the year's Minnesota Crafts Festival; profile of glass artist Dick Huss; profile of abstract painter and stained glass artist Eric Sealine; three craft shops (Art Crate, Behind-the-Brewery Gallery, and Stoneflower Contemporary Crafts) and their differing business approaches; The Brewery Works, a brewery complex repurposed into a studio and gallery space; profile of potter John Coiner; art gallery cooperatives The Fourth Street Gallery, Pioneer Crafts Co-op Store, and Cedar Workshop; and a report on the National Association of Handcraftsmen's marketing conference and session and workshop summaries. Also includes a newspaper insert about John Coiner.
Volume 4, number 2 of Minnesota Crafts Council (MCC) Craft Connection was published in April 1978 and is centered around collecting. Contents include a profile of jewelry artists and metalsmiths Mike and Carolyn Lenz; art and craft collecting; professional craft collecting; collections of functional ceramics; collectors in the North Lake Superior region; Art Morrison's journey collecting Mexican clay figures; and an extensive list of upcoming art fairs across the midwest.
Volume 3, number 4 of Minnesota Crafts Council (MCC) Craft Connection was published in August 1977 and is centered around traditional crafts. Contents include a report 1977 Minnesota Crafts Festival, including award winners and statistics; profile of blacksmith Dan Kral; an extensive list of upcoming art fairs across the midwest; crafts at Gibbs Farm Museum; Columbia College's Ethnic and American Folk Arts Project to preserve traditional craft skills; and a show of American pottery dated from the colonial period to 1910.
Volume 3, number 6 of Minnesota Crafts Council (MCC) Craft Connection was published in December 1977 and is centered around craft education. Contents include a report on the MCC Annual Meeting from various committees; profile of potter Donald Frith; Minneapolis's Urban Arts program, which offers art instruction to students; a history of crafts at the University of Minnesota; art spaces in colleges and universities; Minnesota's Arts in Corrections program, which offers art instruction to incarcerated juveniles; and photographs from 'Media Exploration' workshops sponsored by the Minneapolis College of Art and Design.
Volume 3, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in February 1977. Contents include a note from the editor about the publication's new tabloid format and subscription price; news about the MCC membership meeting and standing committees; profile of ceramic artist Dr. Paul S. Donhauser, the first American to receive first place honors in the International Competition of Ceramics in Faenza, Italy; the Craft Alliance Gallery in Missouri; level of support for crafts in Minnesota's art institutions; photographs of artworks from an MCC juried exhibition and statement from judge Martha Benson; the Wisconsin Designer-Craftsmen organization; the Rochester Art Center; the recent opening of Kichang Cho's Mano Galleries in Illinois; the challenges of running an ultimately unsuccessful gallery; review of the 'Craft Multiples' exhibit at the Octagon Center for the Arts; and a national conference about marketing crafts.
Volume 4, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in February 1978 and is focused on wood crafts. Contents include a profile of wood artists Donna and Robert Pitz; six wood craftsmen who share a studio space; working as a self-employed artist; depictions of lumberjack life at the turn of the 20th century; reflections from midwestern wood artists; and the 'Supermud' clay conference in Pennsylvania.
Volume 5, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1979 and is centered around wholesaling and retailing. Contents include Craft Connection's new subscription price and production schedule; pet peeves of working with artists and galleries; profiles of Minnesota quilters; using computer programs in quilt design; fundraising efforts in Ohio to build art and craft spaces; profile of fiber craftsman Jay Gage; profile of stained glass artist Gabriel Cartwright; tips on selling work; experiences in wholesaling and retailing; Fibrecations, Inc., a corporation providing a showroom for fiber artists; laws regarding artist-gallery transactions and how they affect an artist's business; travelling juries; The Octogon Center for the Arts; reflections on an apprenticeship with fiber artist Muriel Nezhnie Helfman; and a brief biography of artist and teacher Edna Dittus.
Volume 6, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1980. The theme for this issue is clothing. Contents include a summary of the MCC Annual Meeting; summary of the 1979 MCC Annual Juried Exhibition; profiles of five Twin Cities women who make and sell clothing (Amy Downs, Edna Gonske, Pat Anderson, Mary Ellen Stewart, and Pat Penshorn); profile of textile artist Kurt Beutow; fashion and clothing design; weavers' study groups; and MCC officers sharing their MCC memories.
Volume 7, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1981. The theme of this issue is artists who continue their craft while taking on new sideline roles. Contents include the Groveland Gallery; the use of crafts and commissioning of craftspeople in the interiors business; MCC's project to compile a sourcebook of craftspeople; Wisconsin Designer-Craftsmen; quilt pattern design; quilt shop Glad Creations; working between two or more fields; the National Crafts Planning Project from the National Endowment for the Arts; the various side paths a craft career can take; reflections on sideline work from potter Wayne Branum; marketing and earning money from crafts; and mending and repairing.
Volume 8, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1982. The the front page contains writings on the aesthetics, function, and use of crafts. Other contents include the announcement of Craft Connection's new editor Reinder Van Til; the founding of the cooperative 5th Avenue Gallery of St. Cloud; the 1981 MCC Annual Meeting; copyright protection for artists; producing and selling pottery to restaurants; By Design gallery and co-directors Sue Nardie and Nancy Gruver; profile of the Whiteway family and their craft displays, shop, and restaurant; commission weaving; the newly-formed Iowa Association of Visual Artists; Surface Design Minnesota's show of wearable art; and the Craftsmen's Gallery in Omaha.
Volume 9, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1983. The story on the front page is about woodworking in Minnesota and the Minnesota Woodworkers Guild. Other contents include messages from MCC's retiring President Nann Miller and new President Ken Davenport; summary of the MCC Annual Meeting; rug maker Dorothy Sauber's exhibition in Washington, D.C.'s Textile Museum; selling art through consignments; summary of a glass workshop at Semi Automatic Glass with Richard Marquis; Wayne Crim, woodworker Ray Kyler, and their redwood furniture shop Waynecraft Industries; the beginnings of the Fine Woodworking Company custom shop; Ojibwa art and woodcarver, beadworker, and jewelry maker Duane Goodwin; and a review of Roy Strassberg's 'Demolition Vessels' exhibition.
Volume 31, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in 2003. On the front page is a photo of the Minnesota History Center, the future site for the 2003 Minnesota Crafts Festival. Other contents include Governor Pawlenty's proposal to cut arts funding; Minnesota State Arts Board's budget plans; a teapot building workshop at the New London Art Center with Mei-qun Gu, Guang Gzhen Zhuo, Craig Edwards, and Emily Deuth; past venue changes of the Minnesota Crafts Festival and information on the new venue; and reviews of digital cameras for photographing art.
Volume 20, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1996. The story on the front page profiles paper artist and basket weaver Ann Hall-Richards. Other contents include electronic communication information for artists; summary of the 1995 Fiber/Metal Arts show; reflections on a summer at Anderson Ranch Arts Center and learning from other disciplines in craft; planning the upcoming Minnesota Craft Festival; review of 'Homo Aestheticus,' a book by Ellen Dissanayake; and the death of artist Joseph O'Connell.
Volume 18, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1994. The story on the front page profiles porcelain artist Maureen Brockway. Other contents include the Mall of America and the value of individually made crafts; a talk by Philip Rawson on art and craft; reflections from six paper artists (Thomas Grade, Susan Mackin-Dolan, Sharon Lynn Ivicevik, Catherine Nash, Jeanne Jaffe, and Carole Komarek); a summary of the holiday party and a recipe for a savory bread pudding; and the decline in mainstream popularity of clay.
Volume 29, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 2001. On the front page is a color photo of dyed silk by RuthAnn Mazrim. Other contents include award winners and photos of works from Fiber/Metal 2000; the upcoming MCC Annual Meeting; public funds for artwork and taxation of nonprofit organizations; and brief profiles of nine midwest galleries (by Many Hands, Gallery 702, Lizzard's Art Gallery and Framing, Seasons on St. Croix, Northern Clay Center Sales and Exhibition Gallery, The Artisans, LXN Studio and Gallery, Ripple River, and Studio 56).
Volume 25, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1999. Page 1, 2 and 16 of this issue are labeled with the year 1998. On the front page are photos of woodworker Charles Preble and his work. Other contents include an update on the strategic plan; the Textile Center of Minnesota; a grant to help manage the MCC web site; the unveiling of the newly renovated Paramount Arts District; profiles of multimedia artist James Tracy and wood artists John Berglund and Charles Preble;and photos and award winners from the recent Fiber/Metal Arts show.
Volume 16, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1992. The story on the front page features the organization Surface Design Minnesota. Other contents include a summary of the MCC Annual Meeting; spotlights on four galleries in Duluth (Art Dock, Art Options, Endion Station, and Made in the Shade); the glass 1991 Minnesota Crafts Festival Awards created by Craig Campbell; being a part of the creative community at the Minnesota Crafts Festival; the creation of the Dayton Hudson Artists Loan Fund; review of 'The Horse's Mouth,' an autobiography of a fictional artist by Joyce Carey (a correction in the following issue of Craft Connection attributes Barbara Hager as the author of this review); and the 11th Annual Leading Craft Competition.
Volume 14, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1990. On the front page is a photo of a lap robe by weaver Nann Miller. Other contents include a letter from Congressmember Gerry Sikorski regarding the Helms amendment to the Interior Department and Related Agencies Appropriations Bill; information about the 1990 MCC Annual Meeting, including some highlights of Red Wing, the meeting's location; spotlights on five galleries in the 50th and France Avenue area of Minneapolis (New Dawn Gallery, Off the Wall, Mixed Media, White Oak Gallery, and Raven Gallery); profile of multimedia artist Lynette Schmidt; monthly highlights from MCC in 1989; the Craft Emergency Relief Fund and the creation of a Bay Area Earthquake Fund in response to a California earthquake; the 'Arts Over Aids' Task Force; and two exhibitions in Leigh Yawkey Woodson Art Museum in Wisonsin ('The Twelve Days of Christmas,' and "American Folk Art from the Milwaukee Museum).
Volume 30, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 2002. On the front page is a color photo of a glass plate by Angelo Fico. Other contents include the Art with Heart program to support the September 11 Fund; MCC goals and strategic planning for the coming years; profiles of glass artists Patrick Casanova, John Salisbury and the staff at Gaytee Stained Glass, and Jon Offutt; the upcoming MCC Annual Meeting to be held at the new Textile Center of Minnesota; and award winners for Fiber/Metal 2001.