Volume 4, number 2 of Minnesota Crafts Council (MCC) Craft Connection was published in April 1978 and is centered around collecting. Contents include a profile of jewelry artists and metalsmiths Mike and Carolyn Lenz; art and craft collecting; professional craft collecting; collections of functional ceramics; collectors in the North Lake Superior region; Art Morrison's journey collecting Mexican clay figures; and an extensive list of upcoming art fairs across the midwest.
Volume 4, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in February 1978 and is focused on wood crafts. Contents include a profile of wood artists Donna and Robert Pitz; six wood craftsmen who share a studio space; working as a self-employed artist; depictions of lumberjack life at the turn of the 20th century; reflections from midwestern wood artists; and the 'Supermud' clay conference in Pennsylvania.
Volume 4, number 3 of Minnesota Crafts Council (MCC) Craft Connection was published in June of 1978. Contents include Editor Janet Koplos's departure and Craft Connection's need for a new editor; profile of rug maker Caroline Waltner; an overview of artists in northern Minnesota, North Dakota, and South Dakota; and various types of clay local to South Dakota.
Volume 4, number 5 of Minnesota Crafts Council (MCC) Craft Connection was published in November 1978 and is centered around quilting. Contents include a summary of the MCC Annual Meeting; ways one can help at the Craft Connection office; the formation of a quiltmaking association; quiltmaking in Illinois; profile of trapunto quilt artist Linda Nelson Bryan; profiles of quilters, quilt museums and galleries, and quilting groups across the midwest; The Raven Gallery and its inventory of Inuit crafts and artwork; Warren Mackenzie's and Jeff Oestreich's experiences apprenticing with potter Bernard Leach; and the Morning Star Gallery art cooperative.
Volume 4, number 4 of Minnesota Crafts Council (MCC) Craft Connection was published in September 1978 and focuses on community and public art. Contents include the introduction of Craft Connection's new Editor Dale Archibald; community arts councils in South Dakota; community arts in St. Paul and Community Programs in the Arts and Sciences (COMPAS); overview of community arts programs in Wisconsin, Nebraska, Minnesota, and Ohio; and a reflection of the 'Convergence' meeting and conference of the Handweaver's Guild of America in Colorado.