Hilma Berglund printed this Christmas Card in black ink on red cardstock. A sheet of tinted vellum covers the angel imagery on the upper 2/3 of the card, causing the ink to appear green. Three angels and four pairs of wings are arranged in the form of a Christmas tree with a gold star applied at the top.
Hilma Berglund created this card in 1955 on blue paper. It contains both text and a woven sample. The actual card is 34 x 5 cm and when folded fits into a handmade envelope which is 18 x 5.5 cm. The card is printed with purple ink on blue paper. The swatch warp is of multicolor linen and lurex threads, woven with lurex weft. The 2.5 x 2.5 cm swatch is plain weave.
Hilma Berglund printed this Christmas Card with maroon ink on cream paper. The image is a bridge with supports labeled "composure, confidence, perseverence (sic), self-discipline, thoughtfulness, friendliness, cheerfulness, reliability, courtesy, patience."
Hilma Berglund printed this card with black ink on red card stock, then folded. Silver lines were added on the sun image. The card depicts the sun shining down on the earth.
Hilma Berglund created this Christmas card in 1969 using green ink on a 6 3/8inch (16.2 cm) diameter white cardboard circle. Line drawings of nature decorate the inner part of the circle. Printed in the center is her name encircled by Happy Christmas 1968 and New Year 1969.
Hilma Berglund created this Christmas card in 1945. It is hand lettered in brown ink on off-white stationery. Samples of natural dyed wool yarns are inserted along the left side. Three dark brown strands represent a tree trunk. These are interwoven with 1 inch strands of pale green, light brown, rust and gold yarns representing branches. The card when opened measures 18.5 x 15.3 cm.
Hilma Berglund created this Christmas card in 1959. It is printed in red ink on tan card stock and has a matching envelope. The text is bordered by two woven swatches. The upper swatch is white with metallic thread and the lower swatch is multi-colored. The card measures 17.5 x 10.5 cm, the envelope is 11. 5 x 14.25 cm.
Hilma Berglund created her 65th and last handmade Christmas card in 1971. It is printed in black ink on tan paper. The bottom third of the paper is folded up with a window cut out to frame a woven swatch. The swatch is woven in shades of brown, aqua and orange, using cotton threads, with one gold metallic thread, in plain weave. The card folds to form its own envelope. A type written note is inserted which says that it is her last Christmas card. On the reverse is a handwritten note. The card when opened is 19 x 16 cm.
Hilma Berglund created this trifold card in her 24th year of teaching at the University of Minnesota. It is printed in red ink on off-white paper. The card features a printed image of a horn and a pair of cymbals. A cardboard frame filled with fine linen threads covers the image.
This card has been glued onto its envelope. Hilma Berglund printed this card in purple ink on cream colored card stock. A tiny (1 x .75 cm) purple woven sample is glued onto the image of the table loom that she designed. Threads from the weaving radiate from the loom to a list of west coast cities that she visited. When posting the card, Hilma chose ink and stamp colors to match the card.
Hilma Berglund created this Christmas card in 1958. It is printed with green ink on off-white cardstock, when folded it creates its own envelope. The lines of the text form the shape of the state of Minnesota.
Hilma Berglund screen-printed this Christmas card in 1966 using dark blue ink on ivory card stock. There is a matching envelope and enclosed letter on ivory paper. The top features a nature scene with birds, ferns, flowers and mushrooms silhouetted against a blue background. The card measures 12.4 x 14.5 cm.
This card has been glued to its handmade envelope. Hilma Berglund printed this card with red ink on tan paper. The card is accordian folded with progressively wider folds, which when opened reveal stanzas of a poem. An image of waves trims the bottom edge.
Hilma Berglund printed this card in red ink on bright gold cardstock. At the top is an image of the sun rising, and a magnifying glass image highlights the words "search" and "good" in the text. There is a matching envelope. When open the card measures 21.5 x 10.5 cm.
Hilma Berglund screen-printed this Christmas card in 1967 using reddish brown ink on cream cardstock. The card is cut into a triangle and sand particles are glued along the two long edges. The card was accompanied by her 1967 Christmas letter. The card measure 8.3 x 21.5 cm.
This card has been glued onto a scrapbook page. Hilma Berglund printed an image of the sky line as viewed from her home. It is printed in brown, yellow and orange ink on cream paper.
Hilma Berglund printed this Christmas card in 1965, using dark brown ink on bittersweet paper, trimmed with yellow and orange paper. Below the fold she applied a light wash of ink to create a slightly darker background. The card when unfolded is 10.3 x 22.5cm.
Hilma Berglund created this Christmas card in 1964. She reverse printed it on yellow card stock using purple ink so that the lettering and star design show as yellow on a purple background. There is a matching yellow envelope. The card is 16 x 8.25 cm.
Hilma Berglund created this Christmas card in 1961. A general holiday letter is included with a handwritten note at the bottom. The card is printed in burgundy ink on gray paper, with a matching envelope. When open, the card measures 21.5 x 16.5 cm. The envelope is 11 x 17 cm.
Hilma Berglund created this Christmas card in 1960. It is printed in purple ink on white paper with a red handmade envelope. The lines of the text form the shape of a Christmas tree; the card folds into the shape of a rocket. At its longest and widest points the card measures 17 x 10 cm. The envelope measures 12.75 x 18 cm.
Hilma Berglund printed this card in black ink on red paper, cut into a triangle, mounted onto slightly larger triangles of aqua and black paper, and trimmed with silver lurex thread. An envelope and letter match the aqua paper trimming the card. The card is 9 x 21 cm. There are two handwritten note on the letter.
A flyer for a dye workshop by Vince Kennedy on February 25 and 26, 1983, and sponsored by Kaleidoscope Quilts & Fabric Arts, the Weavers Guild of Minnesota, and Surface Design Minnesota.
A schedule of courses offered by the Weavers Guild of Minnesota for fall of 1983, and including classes on frame loom, floor loom, dyeing, spinning, and related subjects.
First issue of the second volume of "The Minnesota Weaver" newsletter by the Minnesota Weaver Quarterly for fall of 1983, and containing descriptions of upcoming workshops, a fiber flea market, and the Federation annual conference; book recommendations for basketry, clothing design, Latin American weaving, frame loom weaving, color, multi-harness weaving, and spinning; and reports from study groups.
Third issue of the third volume of "The Minnesota Weaver" newsletter by the Minnesota Weaver Quarterly for spring of 1984, and containing descriptions of upcoming exhibits and the Guild Annual Meeting, a history of a weavers guild in Virginia, Minnesota, and the articles "Dukagang: Embroider as You Weave", "Health Hazards - Cold Water Dyes", "Amish Quilts - Unique Color and Design", "Swedish Toothbrush Weaving", "Spinning Wheels Around the World", "Backstrap Looms: Old World and New", and "Aklae: Norwegian Tapestry".
Third issue of the third volume of "The Minnesota Weaver" newsletter by the Minnesota Weaver Quarterly for summer of 1984, and containing a report on the "Weaving with Strips" exhibition at the Paul Whitney Larson Gallery, University of Minnesota; a history of the Duluth Fiber Handcrafters Guild; and the articles "Shibori", "Felt", "Pounded Paper", and "Braided Strap from Colombia".
Second issue of the second volume of "The Minnesota Weaver" newsletter by the Minnesota Weaver Quarterly for winter of 1983, and containing descriptions of upcoming workshops, members� meetings, and the 1984 Midwest Weavers conference at St. Catherine�s College in St. Paul; a report from the annual conference of the Minnesota Federation of Weavers Guilds and Fiber Artists in Bemidji; biographies of guild teachers Linda Madden and Cathy Ingrbretsen; and the articles "Evaluating Design", Weaving as a Professional", "Protecting Your Health", "Wool for Spinning", "Computer Name Drafting", and "Fiberworks and Interior Decorating".
The Minnesota Weavers Guild newsletter for April and May 1984 containing a schedule of upcoming classes, workshops, and silent auction; a letter from the presidents; reports on the the January board meeting and the 1982 Fiber Fair; and an update from the Fiber Source Committee.
The Minnesota Weavers Guild newsletter for August and September 1983 containing a schedule of upcoming workshops and classes, reminders of the State Fair and the Fiber Flea Market, notes of the April and May board meetings, and an update on the Guild library.
The Minnesota Weavers Guild newsletter for January and February 1984 containing a schedule of upcoming classes, workshops, and exhibits; and an update from the Fiber Source Committee.
A calendar of the Minnesota Weavers Guild for July and August 1983 containing a schedule of upcoming classes, workshops, lectures, and exhibits; and a community bulletin board.
The Minnesota Weavers Guild newsletter for July and August 1984 containing a schedule of upcoming classes, workshops, exhibits, and silent auction, and an education survey.
The Minnesota Weavers Guild newsletter for May and June 1983 containing a schedule of upcoming classes, workshops, exhibits, and the members annual meeting; and a community bulletin board.
The Minnesota Weavers Guild newsletter for May and June 1984 containing a schedule of upcoming classes, workshops, exhibits, and silent auction; and a letter from the presidents.
The Minnesota Weavers Guild newsletter for November and December 1983 containing a schedule of upcoming classes, workshops, and the December guild meeting; and a summary of the 1983 Minnesota State Fair.
The Minnesota Weavers Guild newsletter for October and November 1983 containing a schedule of upcoming classes, workshops, and the October guild meeting; a letter from the presidents; reports on the the July board meeting and the 1982 Fiber Fair; and an update from the Fiber Source Committee.