Empty third floor ballroom, looking toward the stage. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Interior view of bedroom in the Turnblad mansion with kakelugn. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Interior view of empty bedroom in the Turnblad mansion with kakelugn or tile stove. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Interior view of the bookcases full of books in the reading room of the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Interior view of the reading room, with the bookcases full of books. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
This shows the breakfast room without furniture. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Interior view of the dining room, featuring the fireplace, sideboard, and dining table. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Interior view of the dining room, featuring the fireplace and dining table. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Interior view of the Turnblad mansion's dining room. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Interior view of the dining room fireplace carved by Ulrich Steiner. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Interior view of the first floor great hall, featuring the two-story fireplace and the original carpeting. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Interior view of the foot of the main staircase in the Turnblad mansion, featuring winged lions. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Empty bedroom, possibly Lillian Turnblad's. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Interior view of the north side of the library in the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Interior view of the north end of the library in the Turnblad mansion, featuring a library table and a sofa. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Interior view of the den decorated in the Moorish style in the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Interior view of the music room without furniture, Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
In its day, the ballroom was the only use of the third floor of the house. In subsequent years a movie screen was added for family 35mm films. In this image, it is a storage area. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Stairway to the ballroom. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
In its day, the ballroom was the only use of the third floor of the house. In subsequent years a movie screen was added for family 35mm films. In this image, it is a storage area. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Storage in the basement. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Storage in the basement. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Three sinks stand under pipes in the basement. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Basement space was also work space. This laundry room had clothes drying lines and a large mangle. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Each bedroom has a white tile and marble bathroom adjacent. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections