Untitled sketch. Angels top the posts on the chair back, and a heraldic shield (possibly a bishop's coat-of-arms) is above the back cushion. To right, a very lightly sketched priest faces the chair, perhaps to show scale.
Untitled sketch. On left, rough outline of Calvary grouping as carved by sculptor John Garratti. On right, more complete sketch of alternative pieta statuary for the pillar location, with Mary holding Christ below a cloth-draped cross.
No. 952-A. Drawn by G.B.M. Two side-by-side drawings: Door no. 3, with symbols for Peter, Andrew, John and James. This drawing has been colored with orange and blue pencils; Remaining 7 doors prototype. Also a sketch indicating door locations.
Sheet no. 8. Details showing return of cresting at rear of canopy. Metal framework structure. Plan of platform (lower platform in 4 sections for easy removal and storage).
Sheet no. 2. Notes: Riser, altar B. C. altissimo marble; Treads and marble. Archway labeled ""not in contract." Initialed by E. H. L. (Edwin H. Lundie), stamped E. L. Masqueray, architect.
Sheet no. 3. Cross section detail view of unidentified altar. Notes: Use of B. C. Altissimo marble, stucco, dome design. Statue of B. P. quality statuary marble.
Three separate sketches: Section ""X-X""(straight front view, cut away for half showing interior construction and measurements); Section on center line (side view into priest's side of confessional); Side Elevation (left side, door into priest's side). Also Half Plan at ""A-A"" sketch (view from above looking down on roof plan and interior).
Sheet no. 10. Notes: Seat of Best Quality Leather; spring cushion; Same detail on sides as shown for sedillia. Penciled in very lightly beside the chair is a priest figure.
Sheet no. 213-A. Revised section through baptismal font basin showing additional drain from storage compartment. Also, small sketch detail of baptismal font lid in lower left corner.
Sheet no. 8. Three separate sketches: Front elevation (4 thus); Side section details (4 thus); Plan with framing and composition grille (4 thus). Also includes detailed notes on wood for cases, woodwork finish, decoration of metal pipes and composition work.
Building 2, sheet no. 332. Various section plans: Window, Elevation of window, cap on pier. Stamped E. L. Masqueray, Architect: Slifer, Lundie and Abrahamson, Successors.
Untitled. Pattern sheet for plaster ornamentation, grape clusters, vines and leaves separated by S-curves. Pattern is repeated decorating the narrow ribs cross the overhead arch of the nave. Pattern is broken by smaller rosettes half-way up each side, and at center by a large protruding florette.
Sheet no. 203. Framed scene, Christ at center greeting Mary, the Cross against his shoulder. A centurion stands behind him to the right, another sketchy figure to his left. Frame design is sketched in to upper right corner. Also measurements, notion for ""inscription." Stations were crafted by McBride Studios - New York and Pietrasanta, Italy.
Sheet no. 211. Detail of plaster ornament runner; raised square rose panels; Celtic circular runner panels; Full scale cornice; Elevation showing stone omitted at back of altar (cross section/elevation with measurements).