Mr. Prindle's second floor mahogany master bedroom has a wonderful view of Lake Superior, but this is an alternate view looking at the room's fireplace and corner with a vanity and pair of chairs. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Mr. Prindle's mahogany second floor master bedroom has a wonderful view of Lake Superior, but this is an alternate view. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Mr. Prindle's mahogany second floor master bedroom has a wonderful view of Lake Superior. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Probably bathroom fixtures in the servants' quarters. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Mrs. Prindle's second floor pink oval bedroom is also at the front of the house and has a wonderful view of Lake Superior. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Mrs. Prindle's second floor pink oval bedroom is also at the front of the house and has a wonderful view of Lake Superior, but in this view the mother of pearl fireplace is the central feature. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Mrs. Prindle's second floor pink oval bedroom is also at the front of the house and has a wonderful view of Lake Superior, but in this view more of the room is shown. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Servant quarters were on the third floor. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Servant quarters were on the third floor. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Servant quarters were on the third floor. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Hunt used the Spanish Colonial Revival style for the house that cost $16,000 to build. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Stairway from foyer to second floor. Interior windows for air circulation. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Looking down the hall on the second floor to a bathroom at the end of the hall. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
The second floor yellow bedroom is divided into a sitting and sleeping area. This was the guest bedroom. Bradstreet selected his favorite "dull yellow" with white furniture and woodwork for it. He created an elegant design of flower palmettes around the walls and above the doorways, and placed favrile wall sconces throughout the room. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
The second floor yellow bedroom is divided into a sitting and sleeping area. This was the guest bedroom. Bradstreet selected his favorite "dull yellow" with white furniture and woodwork for it. He created an elegant design of flower palmettes around the walls and above the doorways, and placed favrile wall sconces throughout the room. The door at the far left leads to the hall. The door to the left of the dresser is for a closet. The door to the right leads to the bathroom. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
The second floor yellow bedroom is divided into a sitting and sleeping area. This was the guest bedroom. Bradstreet selected his favorite "dull yellow" with white furniture and woodwork for it. He created an elegant design of flower palmettes around the walls and above the doorways, and placed favrile wall sconces throughout the room. The stained glass leaded windows are a transom feature for air circulation. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
The second floor yellow bedroom is divided into a sitting and sleeping area. This was the guest bedroom. Bradstreet selected his favorite "dull yellow" with white furniture and woodwork for it. He created an elegant design of flower palmettes around the walls and above the doorways, and placed favrile wall sconces throughout the room. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
The second floor yellow bedroom is divided into a sitting and sleeping area. This was the guest bedroom. Bradstreet selected his favorite "dull yellow" with white furniture and woodwork for it. He created an elegant design of flower palmettes around the walls and above the doorways, and placed favrile wall sconces throughout the room. The open door leads to the upstairs hall. In 1904, William Martin Prindle (1861-1944) and Mina Merrill Prindle (1864-1963) chose William Hunt of the firm Palmer, Hall, and Hunt, as the architect of their new Duluth home built in 1905 at 2211 Greysolon Road. Mina chose William A. French and John Bradstreet to decorate the interiors. One of Bradstreet's most important commissions was the Duluth Prindle house. When the house was sold to the Minneapolis Art Institute in 1981, the living room and selected items were removed and displayed at the museum.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Eleventh image (of seventeen images) described as a continuous strip of shoreline. It is not clear if the sequence is shot moving toward the canal and the Aerial bridge or down Minnesota Point toward the end. They are numbered in this collection in the original order shot by Mr. Rodney Paine.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Twelfth image (of seventeen images) described as a continuous strip of shoreline. It is not clear if the sequence is shot moving toward the canal and the Aerial bridge or down Minnesota Point toward the end. They are numbered in this collection in the original order shot by Mr. Rodney Paine.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Thirteenth image (of seventeen images) described as a continuous strip of shoreline. It is not clear if the sequence is shot moving toward the canal and the Aerial bridge or down Minnesota Point toward the end. They are numbered in this collection in the original order shot by Mr. Rodney Paine.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Fourteenth image (of seventeen images) described as a continuous strip of shoreline. It is not clear if the sequence is shot moving toward the canal and the Aerial bridge or down Minnesota Point toward the end. They are numbered in this collection in the original order shot by Mr. Rodney Paine.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Fifteenth image (of seventeen images) described as a continuous strip of shoreline. It is not clear if the sequence is shot moving toward the canal and the Aerial bridge or down Minnesota Point toward the end. They are numbered in this collection in the original order shot by Mr. Rodney Paine.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Third image (of seventeen images) described as a continuous strip of shoreline. It is not clear if the sequence is shot moving toward the canal and the Aerial bridge or down Minnesota Point toward the end. They are numbered in this collection in the original order shot by Mr. Rodney Paine.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Fourth image (of seventeen images) described as a continuous strip of shoreline. It is not clear if the sequence is shot moving toward the canal and the Aerial bridge or down Minnesota Point toward the end. They are numbered in this collection in the original order shot by Mr. Rodney Paine.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Seventh image (of seventeen images) described as a continuous strip of shoreline. It is not clear if the sequence is shot moving toward the canal and the Aerial bridge or down Minnesota Point toward the end. They are numbered in this collection in the original order shot by Mr. Rodney Paine.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Eighth image (of seventeen images) described as a continuous strip of shoreline. It is not clear if the sequence is shot moving toward the canal and the Aerial bridge or down Minnesota Point toward the end. They are numbered in this collection in the original order shot by Mr. Rodney Paine.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Ninth image (of seventeen images) described as a continuous strip of shoreline. It is not clear if the sequence is shot moving toward the canal and the Aerial bridge or down Minnesota Point toward the end. They are numbered in this collection in the original order shot by Mr. Rodney Paine.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Fifth image (of seventeen images) described as a continuous strip of shoreline. It is not clear if the sequence is shot moving toward the canal and the Aerial bridge or down Minnesota Point toward the end. They are numbered in this collection in the original order shot by Mr. Rodney Paine.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Sixth image (of seventeen images) described as a continuous strip of shoreline. It is not clear if the sequence is shot moving toward the canal and the Aerial bridge or down Minnesota Point toward the end. They are numbered in this collection in the original order shot by Mr. Rodney Paine.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
First image (of seventeen images) described as a continuous strip of shoreline. It is not clear if the sequence is shot moving toward the canal and the Aerial bridge or down Minnesota Point toward the end. They are numbered in this collection in the original order shot by Mr. Rodney Paine.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Tenth image (of seventeen images) described as a continuous strip of shoreline. It is not clear if the sequence is shot moving toward the canal and the Aerial bridge or down Minnesota Point toward the end. They are numbered in this collection in the original order shot by Mr. Rodney Paine.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Sixteenth image (of seventeen images) described as a continuous strip of shoreline. It is not clear if the sequence is shot moving toward the canal and the Aerial bridge or down Minnesota Point toward the end. They are numbered in this collection in the original order shot by Mr. Rodney Paine.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Seventeenth image (of seventeen images) described as a continuous strip of shoreline. It is not clear if the sequence is shot moving toward the canal and the Aerial bridge or down Minnesota Point toward the end. They are numbered in this collection in the original order shot by Mr. Rodney Paine.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Second image (of seventeen images) described as a continuous strip of shoreline. It is not clear if the sequence is shot moving toward the canal and the Aerial bridge or down Minnesota Point toward the end. They are numbered in this collection in the original order shot by Mr. Rodney Paine.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections