Elmer Albinson was a director of the American Swedish Institute. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
A 1922 letter from Juliette Gordon Low to Marjorie Edgar, thanking her for the flowers and requesting Miss Edgar to represent Girl Scouts of the U.S.A. in Normandy.
Contributing Institution:
Girl Scouts of Minnesota and Wisconsin River Valleys
View of the auditorium of the Suburban World Theater, Minneapolis, Minnesota, taken from above. This theater was also known as the Granada Theater. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of the auditorium of the Suburban World Theater, Minneapolis, Minnesota, taken from above. This theater was also known as the Granada Theater. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of a table lamp for the Riverview Theater, Minneapolis, Minnesota. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
Partial view of the marquee of the Radio City Theater, Minneapolis, Minnesota, with crowd of theater-goers at night. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
Partial view of the marquee of the Radio City Theater, Minneapolis, Minnesota, with crowd of theater-goers at night. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View from across the street of the Radio City Theater, Minneapolis, Minnesota, with a partial view of the vertical marquee. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View from above of a crowded lobby of the Radio City Theater, Minneapolis, Minnesota. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of the facade and marquee of the Hollywood Theater, Minneapolis, Minnesota. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
Construction progress photo showing the structural framing of the auditorium of the Hollywood Theater, Minneapolis, Minnesota. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of the exterior corner of the Hollywood Theater, Minneapolis, Minnesota, showing the dwelling to the north of the building. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of the exterior corner of the Hollywood Theater, Minneapolis, Minnesota, showing the dwelling to the north of the building. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of the lounge in the lobby of the Hollywood Theater, Minneapolis, Minnesota. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of the East Lake Theater facade, Minneapolis, Minnesota, from the street. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
Cabinet photograph of Truman Elwell Rickard (1881-1948) in winter attire. In 1904, as a University of Minnesota student, Truman Elwell Rickard (composed the music and wrote the original words for "Hail! Minnesota," which became the Minnesota state song in 1945. Rickard later married Grace Larson, a daughter of L.W. Larson, a prominant early Fosston settler.
This 4 page typewritten report, written by Hilma Berglund, describes the second and third five years of the Twin City Weavers' Guild. It describes membership growth, programs and exhibits. Four weaving institutes were held, three at the University of Minnesota, and one in a private home. Due to the growth of membership, meetings were held both day and evening, and some meetings were held at member homes. Members were expected to provide proof each year that they were productive weavers. A Board of Directors was added and first met in 1949.
This is a typewritten report from Hilma Berglund, president of The Minnesota Weavers' Guild, dated May 7th, 1959. It is an annual report, with handwritten corrections and signature.
Published on July 14, 1913, this cartoon shows the Underwood Simmons Tariff Bill being pushed onto the U. S. Senate stage by Senator Simmons, while the audience pellets the bill with eggs and vegetables labeled "Antagonist," "Criticism," and so on. Sen. Simmons, Chairman of the Senate Finance Committee, had arranged for the controversial bill to be introduced to the Senate for debate on July 14.
Published on December 10, 1908, this cartoon shows the Egg and the Potato addressing each other, "The Egg--'Hello, Small Potatoes and Few in a Hill, you needn't be so fresh. I knew your folks when you weren't worth 30 cents a bushel.' The Potato--'No one would accuse you of being fresh, and that's no joke. No doubt you can remember a good way back, all right, all right!'" The Egg's waistcoat is marked "Eggs 50 cents Doz." and the Potato's is marked "Potatoes 85 cents Bu." This dialog might be related to an article, published in the same edition of the newspaper, telling about the Minnesota Potato Growers and Shippers Association winning the support of the Interstate Commerce Commission for their demand that railroads provide heated cars for shipping perishable freight in freezing weather.
The March Lion, having just eaten the Spring Lamb, licks his chops. The cartoon reads, "Maltese cross indicates location of the lamb." Published March 6, 1915, this cartoon pokes fun at the harsh weather that often characterizes Minnesota's late winter.
Published in the Thursday, May 12, 1904, edition of the Minneapolis Journal with the caption "The Hoosier School Boy," this cartoon refers to the Indiana Democratic state convention, where Hearst followers challenged the convention majority, which had supported Judge Parker, by claiming unfair treatment. The claims were defeated, and the convention "instructed for" Parker. National Committeeman Thomas Taggert is portrayed as the teacher, while Hearst and the Indiana Democratic Convention are portrayed as school boys, one a privileged prankster, the other a poor pupil who reads aloud the instructions for Parker and Taggert.
Published on the front page of the March 2, 1904, edition of the Minneapolis Journal, this cartoon depicts a husband and wife having coffee at their dining room table. The husband is shaking salt onto the front page of the "Daily Newspaper," whose headlines include "Gigantic Victory for Russian Arms." In the published version, which includes caption and dialog, the wife asks, "Why, John, what in the world is the matter?" He replies, "I'm just taking this St. Petersburg story with a little salt." This is a reference to public response to unconfirmed reports coming from St. Petersburg, Russia, that Russian army forces had overwhelmingly defeated Japanese forces in a land battle in northern Korea, and that a sea battle near Port Arthur had resulted in the sinking of Japanese boats.
Published on Thursday, May 6, 1909, this cartoon is divided into two frames. The upper frame shows wheat from Canada being led to flour mills in the United States by the "Tariff Provision by which Canadian wheat may be milled in the United States and have drawback of duty when exported as flour." Its caption reads, "The wheat must go to the mills." The lower frame shows United States flour mills running toward the Canadian border, where a smiling wheat figure beckons to them. Here, Uncle Sam, holding a shepherd's crook tagged "Any kind of a drawback," pursues the mills, hoping to hold them back. This frame's caption reads, "Or the mills will go to the wheat."
Depositors are walking into the U. S. Postal Savings Bank, which is shown as occupying a giant Uncle Sam's hat. In the background are homes and factories.
A man wades through Lake Excelsior in the pouring rain as various animals comment on his plight. This cartoon appeared in the Minneapolis Journal on May 24, 1909.
Published on May 22, 1912, this cartoon shows "Champ" Clark, standing by a fence labeled "Minnesota Presidential Field"and pointing to a dog with a human face. Clark tells a boy, "Minnesota Politics," who has tied a bucket to Clark's dog's tail, that Republican Congressman Charlie Towne shouldn't be kicked around.
This cartoon shows Uncle Sam, the G.O.P. elephant and the Tariff catching Cold Storage in the act of raiding a pantry containing eggs, butter, and other foods.
Minnesota Governor John Lind and Minnesota State Democratic Central Committee Chairman L. A. Rosing are shown standing outside the Parker Stables, hanging onto a rope attached to the Minnesota Democratic donkey, who is being tempted by William Randolph Hearst with a pail marked by a dollar sign and containing ears of corn. This cartoon appeared in the Friday, April 1, 1904, edition of the Minneapolis Journal and refers to Minnesota political attitudes toward two of the contenders for nomination to run for president on the Democratic ticket, Hearst and Judge Parker.
This cartoon, published on July 16, 1912, shows a man standing outside a grocery store, looking at displays of rain gear. The store's proprietor stands in the doorway.
This cartoon, published on April 11, 1903, in the Minneapolis Journal, portrays Tom L. Johnson, Cleveland mayor and Democratic contender for his party's nomination for both the Ohio governor's race and the presidential election. Johnson is shown driving an automobile labeled "Auto-Reform" past "Aunty Democracy." Johnson's car is kicking up clouds of dust representing his radical ideas and Socialism. Behind, the Democratic donkey plods along, his ears marked "Old Ideas Dem." The published cartoon's caption read, "A little too fast for Aunty," with the sub-caption, "Aunty Democracy--The odor's pretty bad, Tom--Your new-fangled rig may be all right, but I guess I'll stick to the old donkey yet awhile."
This photograph depicts two men shoveling snow at the main building of Northwestern Lutheran Theological Seminary, 1018 19th Avenue North East, Minneapolis. This was the seminary's location from 1922-1940. Back of photograph reads: Northwestern Lutheran Theological Seminary, 1018-19th Ave. NE 1929.
Looking upwards at the turret on the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Herman Schlink, stone sculptor for the mansion, poses on the left with his brother, Frank Schlink, who helped with the rough carving, and Mr. Corwin, a helper on the right. Almost completed mansion in the background. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.