No. 952-A. Drawn by G.B.M. Two side-by-side drawings: Door no. 3, with symbols for Peter, Andrew, John and James. This drawing has been colored with orange and blue pencils; Remaining 7 doors prototype. Also a sketch indicating door locations.
Sheet no. 105. Side view detail of table legs, upswept swirls, with center floral carvings. Below swirls, Basilica seal of shield and umbrellino. Also side view of detail.
Sheet no. 226. Detail ornamentation and section view, also notes. A section of the drawing, which appears to have contained ""typical detail of the 4 symbols to be hammered in low relief in 4 panels"" has been cut away.
Untitled sketch. On left, rough outline of Calvary grouping as carved by sculptor John Garratti. On right, more complete sketch of alternative pieta statuary for the pillar location, with Mary holding Christ below a cloth-draped cross.
Sheet no. 8. Details showing return of cresting at rear of canopy. Metal framework structure. Plan of platform (lower platform in 4 sections for easy removal and storage).
Three separate sketches: Section ""X-X""(straight front view, cut away for half showing interior construction and measurements); Section on center line (side view into priest's side of confessional); Side Elevation (left side, door into priest's side). Also Half Plan at ""A-A"" sketch (view from above looking down on roof plan and interior).
Sheet no. 10. Notes: Seat of Best Quality Leather; spring cushion; Same detail on sides as shown for sedillia. Penciled in very lightly beside the chair is a priest figure.
Building no. 2, sheet no. 100. Notes: Make 1 thus for St. Joseph's Altar (Base detailed on sheet #2). Make 1 thus for Sacred Heart Altar with Base as detailed on sheet no. 101. Noted materials: Ebony inlay on cross, ivory corpus.
Sheet no. 201. St. Joseph monogram, S-J encircled by lilies. Encased in circle, with leaf and berry motif around outside of circle frame. To be centered along center line of the altar.
Sketch of Chapel of the Immaculate Conception. Pillars, decorations, and Mary emerging from a cave, with another woman kneeling below. Chapel bears inscription,""Je suis l'immaculee conception,", and is marked ""traced"" by FAA (architect Frank A. Abrahamson) and dated.
Untitled sketch. Angels top the posts on the chair back, and a heraldic shield (possibly a bishop's coat-of-arms) is above the back cushion. To right, a very lightly sketched priest faces the chair, perhaps to show scale.
Sheet no. 213-A. Revised section through baptismal font basin showing additional drain from storage compartment. Also, small sketch detail of baptismal font lid in lower left corner.
Sheet no. 203. Framed scene, Christ at center greeting Mary, the Cross against his shoulder. A centurion stands behind him to the right, another sketchy figure to his left. Frame design is sketched in to upper right corner. Also measurements, notion for ""inscription." Stations were crafted by McBride Studios - New York and Pietrasanta, Italy.
Sheet no. 115. Larger image is fan/shell design for panel above gallery door. Along left side, detail of archway over fan, with Celtic interlinked circles, centered with florettes.
Sheet no. 115-A. Rose tavernelle marble bowl, leafy/swirl design along bowl, mirrored across row of pearls. Dome shaped piece to cover plumbing beneath.
Sheet no. 225. Notes: Bronze chains bearing spun bronze counter-weight filled with lead shot. Cover handles arranged as spring clips to hold cover in place.
Inscription for the seventh station,""Jesus Falls a Second Time," is at the top, with portions of marble framing sketched in. Below, other inscriptions are written out full scale.
Bldg. no. 112, sheet no. 13B. Three sketches with measurements: Plan (overhead, showing half-sketch of flush veneered cover); End Elevation with piping; Half Elevation / Half Section.
Sheet no. 106. Pilaster front and side elevations, with smaller front elevation showing placement of detail work. Cartouche topped with fleur-de-lis (a symbol of Mary), centered with crown. Below, cross rising from leafy decorations.
Sheet no. 117. Wreath of thorns around disc-shaped symbol (located on separate drawings), upright bow and ribbon around hanging grape cluster, grape/leaf robe drapery to second bow/ribbon.
Untitled. Pattern sheet for plaster ornamentation, grape clusters, vines and leaves separated by S-curves. Pattern is repeated decorating the narrow ribs cross the overhead arch of the nave. Pattern is broken by smaller rosettes half-way up each side, and at center by a large protruding florette.
Sheet no. 8. Three separate sketches: Front elevation (4 thus); Side section details (4 thus); Plan with framing and composition grille (4 thus). Also includes detailed notes on wood for cases, woodwork finish, decoration of metal pipes and composition work.
Sheet no. 211. Detail of plaster ornament runner; raised square rose panels; Celtic circular runner panels; Full scale cornice; Elevation showing stone omitted at back of altar (cross section/elevation with measurements).