January 1960 correspondence between Nancy Iona of Denver, Colorado and Hilma Berglund concerning details of Twin Cities Weavers Guild structure. Rocky Mountain Weavers Guild is seeking advice concerning membership requirements and participation.
A woven swatch in green and off-white cotton threads, mounted on cardstock, woven by Hilma Berglund. The weaving is 8 x 13.5. The title "Eight-Harness Double Weave" is hand printed by Hilma Berglund.
Photo of guest artist Laura Wieman and Anna Smits, at a loom. Photo from an April 1965 workshop sponsored by the Minnesota Weavers Guild. Anna Smits replaced Hilma Berglund as weaving instructor in the University of Minnesota's Art Education department, after Hilma's retirement.
Minutes for the monthly meetings of the Minnesota Weaver's Guild Board of Directors, September 1963-May 1964, Minneapolis, Minnesota. Includes Treasurer's reports.
Minutes for the monthly meetings of the Minnesota Weaver's Guild Board of Directors, September 1961-May 1962, Minneapolis, Minnesota. Includes a special meeting of the guild in November.
Minutes for the monthly meetings of the Minnesota Weaver's Guild Board of Directors, September-October 1966, held at the Y.W.C.A., Minneapolis, Minnesota.
Minutes for the monthly meetings of the Minnesota Weaver's Guild Board of Directors, September 1967-May 1968, held at the Y.W.C.A., Minneapolis, Minnesota.
This 3 page typewritten report, written by Hilma Berglund, describes the 1955-1960 history of the Minnesota Weavers' Guild. During this period the guild began meeting at the Minneapolis Y.W.C.A., which gave them access to classroom/meeting space four days a week. Regular classes were held, using donated and purchased looms. By 1960, the guild owned ten looms, including a memorial loom used by members only for group projects. This also allowed for permanent library space. In 1956 the first member sale was held. Membership remained steady at an average of 105 members. Programs and other member activities are listed.
Name-weaving instructions from the Handweaving Workbook by Heather Thorpe. The text of the card describes the process to translate the name "Hilma Berglund" into an overshot weaving draft.
A woven overshot swatch in cotton threads in "Pine Bloom" pattern, with ink drawn draft and notations. These are mounted on cardboard with notation "Pine Bloom page 121 in my notebook H B". The swatch is 11 x 15.5 cm.
A woven swatch in cotton threads, with pencil drawn draft, and notations in ink. Titled "raindrops" it is a 4 shaft lace weave. The 3 items are mounted on card stock. The woven swatch is 6 x 21cm.
Three swatches mounted on cardboard were woven by Hilma Berglund. A hand printed label at the bottom reads "Experiments with textures/look under each one/all are cotton. The upper swatch is labeled "50-50 weave H. B. 24 to inch. The center swatch has two different setts. Below the swatch is printed six-harness twill H.B. The lower swatch has 3 different setts. Under the swatch reads 30 to inch/24 to inch/30 to inch/2 different reeds 4-harness H.B.
Two swatches were woven by Hilma Berglund, on cotton warps with linen wefts. The first swatch (17cm x27.5cm) shows four variations of overshot: ordinary overshot, overshot in summer and winter/ spacing, Italian treadling and sunlight and shadow. Handwritten paper labels are sewn to the back of the swatch. The second (4cm x 38cm) is Bronson Lace. A handwritten draft is sewn to the back of the swatch. A draft, handwritten on graph paper, shows the overshot threading and treadling variations, and Bronson lace threading and treadling.spacing, Italian treadling, sunlight and shadow
This three page typewritten report, written by Hilma Berglund, summarizes the history of the Minnesota Weavers' Guild from 1960-1965. During this time, the Guild continued to meet and teach classes at the Minneapolis Y.W.C.A. Malin Selander of Orebro, Sweden, was the teacher for two workshops. A third workshop was conducted by Mrs. Weyman of Illinois. Other guild programs, events and speakers are listed.