Sheet no. 226. Detail ornamentation and section view, also notes. A section of the drawing, which appears to have contained ""typical detail of the 4 symbols to be hammered in low relief in 4 panels"" has been cut away.
Bldg. no. 2, Sheet No. X. Detail of inlayed cross, with stippled finish, low relief lily on either side of base of cross. Florets at corners of inlay. Note: Finish to be dull statuary bronze with highlights polished.
Sheet no. 117. Wreath of thorns around disc-shaped symbol (located on separate drawings), upright bow and ribbon around hanging grape cluster, grape/leaf robe drapery to second bow/ribbon.
Sheet no. 105. Side view detail of table legs, upswept swirls, with center floral carvings. Below swirls, Basilica seal of shield and umbrellino. Also side view of detail.
Sheet no. 115-A. Rose tavernelle marble bowl, leafy/swirl design along bowl, mirrored across row of pearls. Dome shaped piece to cover plumbing beneath.
Inscription for the seventh station,""Jesus Falls a Second Time," is at the top, with portions of marble framing sketched in. Below, other inscriptions are written out full scale.
Sheet #222. Coachlamp style hanging lamp, located in sacristy and aisles of church (in a slightly simplified design)"""Aurine"" glass bowl manufactured by Steuben Glass Works, Corning, NY.
Sheet no. 106. Pilaster front and side elevations, with smaller front elevation showing placement of detail work. Cartouche topped with fleur-de-lis (a symbol of Mary), centered with crown. Below, cross rising from leafy decorations.
Sheet no. 115. Larger image is fan/shell design for panel above gallery door. Along left side, detail of archway over fan, with Celtic interlinked circles, centered with florettes.
Sheet no. 211. Detail of plaster ornament runner; raised square rose panels; Celtic circular runner panels; Full scale cornice; Elevation showing stone omitted at back of altar (cross section/elevation with measurements).
Sheet no. 203. Framed scene, Christ at center greeting Mary, the Cross against his shoulder. A centurion stands behind him to the right, another sketchy figure to his left. Frame design is sketched in to upper right corner. Also measurements, notion for ""inscription." Stations were crafted by McBride Studios - New York and Pietrasanta, Italy.