This handwritten letter dated January 4, 1940 on Seattle Weavers' Guild letterhead encouraged Hilma Berglund to form a guild in the Twin Cities area. It speaks to the benefits of weavers meeting monthly for programs and sharing of resources. It is addressed to Hilma's University of Minnesota address in Jones Hall.
Course summary for the 1943 Institute in Weaving held by the Twin Cities Weavers' Guild at the University of Minnesota Center for Continuation Study, Minneapolis.
Course summary for the 1944 Institute in Weaving held by the Twin Cities Weavers' Guild at the University of Minnesota Center for Continuation Study, Minneapolis, Minnesota. Includes names of instructors, attendees, and techniques taught.
Course summary of the first 3 Weaver's Guild Institutes held in in Minneapolis 1940-1944 at Walker Art Center and Dayton's Departments Store. Includes names of attendees, weaves offered, and fees paid.
Course summary of the first three Weaver's Guild Institutes held in Minneapolis 1940-1944 at Walker Art Center and Dayton's Departments Store. Includes names of instructors and attendees, and techniques taught.
March 1944 Weaving Institute held at University of Minnesota. Foreground: Mrs. Lentz. Background (seated): Mrs. Montgomery. Background (standing): Mrs. Ina Bell Zell.
Letter from the corresponding secretary of the Golden Gate Weavers to Mrs. Alfred Bowen of the Twin Cities Weavers' Guild, Minneapolis, Minnesota, regarding the activities of the Golden Gate guild.
Letter from the corresponding secreatary of the Seattle Weavers' Guild to Mrs. Downs of the Minnesota Weavers' Guild, Minneapolis, Minnesota, regarding the activities of the Golden Gate guild.
Twin Cities Weavers Guild annual exhibit at a Saint Paul bank on May 8-June 9, 1945. Display cases are visible and one of the cases holds a spinning wheel.
Twin Cities Weavers Guild annual exhibit at a Saint Paul bank on May 8-June 9, 1945. Display case hold a loom on the left and a spinning wheel on the right.
This 4 page typewritten report, written by Hilma Berglund, describes the first five years of the Twin City Weavers' Guild. It lists officers and charter members, membership statistics, the first three weaving institutes held at the University of Minnesota, and other activities of the Guild. Guild meetings were held at the Walker Art Center, Minneapolis Minnesota. A list of guild activities by date is included.
Hilma Berglund wrote this letter to Clyde Dunbar of Arkansaw, Wisconsin, Twin City Weavers' Guild member. It is dated March 16, 1945. Hilma talks of building her house, her classes at the University of Minnesota, the growth of the new Twin City Weavers' Guild and invites him to the Guild's first exhibition at the Minneapolis Public Library. She also invites him to visit her weaving class at the University of Minnesota.
Two swatches were woven by Hilma Berglund, on cotton warps with linen wefts. The first swatch (3cm x 28cm) is Summer and Winter. A hand-printed paper label is sewn to the back of the swatch. The second (4cm x 16.5cm) is labeled "Crackle Weave/spacing used here. The swatch appears to have been mended. Acompanying the swatches is a vintage copy of the drafts and instructions that were sent to Twin City Weavers' guild members inviting them to send in results of their experiments with the two weave structures.
Minutes for the monthly meetings of the Twin Cities Weaver's Guild, October 1945-June 1946, held at various locations in the Minneapolis/St. Paul area, Minnesota. Includes a financial report.
Minutes for the monthly meetings of the Twin Cities Weaver's Guild, October 1946-May 1947, held at various locations in Minneapolis/St. Paul area, Minnesota.
Drafts are presented on a sheet of 18cm by 11cm notebook paper. The title "Two-Color Threadings (Atwater bulletin February 1947)" is typewritten. Five drafts, hand-drawn on graph paper, are glued to the sheet. Treadling order is typed below each draft. Three swatches, woven by Hilma Berglund using cotton carpet warp for both warp and weft, show color and weave variations. Swatch A (labeled using the blank from the side of a sheet of stamps) follows the draft. Swatch B has two variations;, the draft B treadling and the draft D treadling. Swatch C has three sections: light weft, dark weft, and light and dark weft alternating. The first 2 sections have treadling variations.
Minutes for the monthly meetings of the Twin Cities Weaver's Guild, October 1947-May 1948, held at the homes of various guild members in the Minneapolis/St. Paul area, Minnesota.
Annual report and monthly meeting notes for Twin Cities Weaver's Guild, October 1948-June 1949, held at various locations in Minneapolis/St. Paul area, Minnesota.
Minutes for the monthly meetings of the Twin Cities Weaver's Guild, November 1949-July 1950, held at the homes of various guild members in the Minneapolis/St. Paul area, Minnesota. Includes treasurer's reports, executive board minutes, and information on a Weaving Institute held by the Guild at the University of Minnesota.
This 4 page typewritten report, written by Hilma Berglund, describes the second and third five years of the Twin City Weavers' Guild. It describes membership growth, programs and exhibits. Four weaving institutes were held, three at the University of Minnesota, and one in a private home. Due to the growth of membership, meetings were held both day and evening, and some meetings were held at member homes. Members were expected to provide proof each year that they were productive weavers. A Board of Directors was added and first met in 1949.
Three swatches mounted on cardboard were woven by Hilma Berglund. A hand printed label at the bottom reads "Experiments with textures/look under each one/all are cotton. The upper swatch is labeled "50-50 weave H. B. 24 to inch. The center swatch has two different setts. Below the swatch is printed six-harness twill H.B. The lower swatch has 3 different setts. Under the swatch reads 30 to inch/24 to inch/30 to inch/2 different reeds 4-harness H.B.
Two swatches were woven by Hilma Berglund, on cotton warps with linen wefts. The first swatch (17cm x27.5cm) shows four variations of overshot: ordinary overshot, overshot in summer and winter/ spacing, Italian treadling and sunlight and shadow. Handwritten paper labels are sewn to the back of the swatch. The second (4cm x 38cm) is Bronson Lace. A handwritten draft is sewn to the back of the swatch. A draft, handwritten on graph paper, shows the overshot threading and treadling variations, and Bronson lace threading and treadling.spacing, Italian treadling, sunlight and shadow
A woven swatch in green and off-white cotton threads, mounted on cardstock, woven by Hilma Berglund. The weaving is 8 x 13.5. The title "Eight-Harness Double Weave" is hand printed by Hilma Berglund.
Name-weaving instructions from the Handweaving Workbook by Heather Thorpe. The text of the card describes the process to translate the name "Hilma Berglund" into an overshot weaving draft.
A woven overshot swatch in cotton threads in "Pine Bloom" pattern, with ink drawn draft and notations. These are mounted on cardboard with notation "Pine Bloom page 121 in my notebook H B". The swatch is 11 x 15.5 cm.
A woven swatch in cotton threads, with pencil drawn draft, and notations in ink. Titled "raindrops" it is a 4 shaft lace weave. The 3 items are mounted on card stock. The woven swatch is 6 x 21cm.
Two swatches woven in cotton threads and draft mounted on heavy paper. The swatches show several treadling variations. The swatches illustrate warp patterning with thick and thin threads. The swatches are 16 x 8 cm and 19.5 x 7.7 cm.
A woven swatch of uphostery material woven by Hilma Berglund with thread samples and threading and treadling information. The index card reads "Warp: Gray carpet warp, set 15 to inch; Weft: Chartreuse cotton , Blue boucle rayon and cotton, Rose nubby rayon and cotton, red linen for binder; Threading: 4/3/4/1/2/1. C B R red Treadling: 3-4,1-2,3-4,1-3,1-2,3-4,1-2,2-4 Hilma Berglund" C B R red refers to the rotation fo the weft colors throughout the treadling sequence, i.e. Chartreuse, Blue, Rose, Red are repeated.
Five typewritten pages show 100 treadling variations that can be used for four shaft plain or twill threadings. This was part of a group project of the Twin City Weavers' Guild. The 5 accompanying swatches (17cm wide) woven by Hilma Berglund, use cotton carpet warp for both warp and weft demonstrate most of these possibilities. New labels are attached to replace original cellophane tape labels. Note to the text explains her numbering system. The information about the fifth sample is handwritten on cardboard. Scans of the first 4 swatches have the long side folded to show the reverse side of the weaving.
Minutes for the monthly meetings of the Twin Cities Weaver's Guild, October 1950-June 1951, held at the Walker Art Center and the homes of various guild members in the Minneapolis/St. Paul area, Minnesota. Includes treasurer's report and executive board minutes.
Poster for Twin City Weavers Guild Annual exhibit on April 14-22, 1951 at the Annual Northwest Builders Show. The show was held at the Minneapolis Auditorium.
Minutes for the monthly meetings of the Twin Cities Weaver's Guild, October 1951-June 1952, held at various locations in the Minneapolis/St. Paul area, Minnesota. Includes treasurer's report and executive board minutes.
Minutes for the monthly meetings of the Twin Cities Weaver's Guild, September 1952-July 1953, held at various locations in the Minneapolis/St. Paul area, Minnesota. Includes executive board minutes.
Minutes for the monthly meetings of the Twin Cities Weaver's Guild, September 1953-June 1954, held at various locations in the Minneapolis/St. Paul area, Minnesota. Includes executive board minutes.
Class photo from 1954 Summer Weaving Institute, held at the University of Minnesota. The Institute was sponsored by the Guild of Twin Cities Weavers. Pictured are Mrs. Lynwood Downs, Mary M. Atwater, Hilma Berglund, Mrs. W. F. Geddes, Mrs. Arthur Roberts, Mrs. A. G. Athens, and Helen D. Eeles. They are gathered around a loom.
A photograph of Mary Meigs Atwater, a guest instructor at the Summer Weaving Institute sponsored by the Guild of Twin City Weavers in 1954. She is sitting at a loom in the classroom at the University of Minnesota. Mary Meigs Atwater is the author of "Shuttlecraft Book of American Handweaving."
Minutes for the monthly meetings of the Twin Cities Weaver's Guild, October 1954-July 1955, held at various locations in the Minneapolis/St. Paul area, Minnesota. Includes executive board minutes.
A report of the Twin City Weavers' Guild participation in the How-to-do-it show sponsored by the St. Paul Junior Chamber of Commerce in Feb 1955 describes the booth exhibit and weaving demonstrations. The exhibit included two handwoven men's suits and other items. Two demonstration looms featured a Structo table loom and a foot-powered loom warped for evening bags and towels. The report is submitted and signed by Hilma Berglund. The second page details items in the exhibit and their insurance value, a list of equipment and demonstrators, and a list of members who manned the booth.
Minutes for the monthly meetings of the Twin Cities Weaver's Guild, Septermber 1955-June 1956, held at various locations in the Minneapolis/St. Paul area, Minnesota. Includes executive board minutes.