January 1960 correspondence between Nancy Iona of Denver, Colorado and Hilma Berglund concerning details of Twin Cities Weavers Guild structure. Rocky Mountain Weavers Guild is seeking advice concerning membership requirements and participation.
A woven swatch in green and off-white cotton threads, mounted on cardstock, woven by Hilma Berglund. The weaving is 8 x 13.5. The title "Eight-Harness Double Weave" is hand printed by Hilma Berglund.
A report of the Twin City Weavers' Guild participation in the How-to-do-it show sponsored by the St. Paul Junior Chamber of Commerce in Feb 1955 describes the booth exhibit and weaving demonstrations. The exhibit included two handwoven men's suits and other items. Two demonstration looms featured a Structo table loom and a foot-powered loom warped for evening bags and towels. The report is submitted and signed by Hilma Berglund. The second page details items in the exhibit and their insurance value, a list of equipment and demonstrators, and a list of members who manned the booth.
Hilma Berglund wrote this letter to Clyde Dunbar of Arkansaw, Wisconsin, Twin City Weavers' Guild member. It is dated March 16, 1945. Hilma talks of building her house, her classes at the University of Minnesota, the growth of the new Twin City Weavers' Guild and invites him to the Guild's first exhibition at the Minneapolis Public Library. She also invites him to visit her weaving class at the University of Minnesota.
This 3 page typewritten report, written by Hilma Berglund, describes the 1955-1960 history of the Minnesota Weavers' Guild. During this period the guild began meeting at the Minneapolis Y.W.C.A., which gave them access to classroom/meeting space four days a week. Regular classes were held, using donated and purchased looms. By 1960, the guild owned ten looms, including a memorial loom used by members only for group projects. This also allowed for permanent library space. In 1956 the first member sale was held. Membership remained steady at an average of 105 members. Programs and other member activities are listed.
Name-weaving instructions from the Handweaving Workbook by Heather Thorpe. The text of the card describes the process to translate the name "Hilma Berglund" into an overshot weaving draft.
Two swatches were woven by Hilma Berglund, on cotton warps with linen wefts. The first swatch (3cm x 28cm) is Summer and Winter. A hand-printed paper label is sewn to the back of the swatch. The second (4cm x 16.5cm) is labeled "Crackle Weave/spacing used here. The swatch appears to have been mended. Acompanying the swatches is a vintage copy of the drafts and instructions that were sent to Twin City Weavers' guild members inviting them to send in results of their experiments with the two weave structures.
A woven overshot swatch in cotton threads in "Pine Bloom" pattern, with ink drawn draft and notations. These are mounted on cardboard with notation "Pine Bloom page 121 in my notebook H B". The swatch is 11 x 15.5 cm.
This is a typewritten report from Hilma Berglund, president of The Minnesota Weavers' Guild, dated May 7th, 1959. It is an annual report, with handwritten corrections and signature.
A woven swatch in cotton threads, with pencil drawn draft, and notations in ink. Titled "raindrops" it is a 4 shaft lace weave. The 3 items are mounted on card stock. The woven swatch is 6 x 21cm.
Three swatches mounted on cardboard were woven by Hilma Berglund. A hand printed label at the bottom reads "Experiments with textures/look under each one/all are cotton. The upper swatch is labeled "50-50 weave H. B. 24 to inch. The center swatch has two different setts. Below the swatch is printed six-harness twill H.B. The lower swatch has 3 different setts. Under the swatch reads 30 to inch/24 to inch/30 to inch/2 different reeds 4-harness H.B.
Two swatches were woven by Hilma Berglund, on cotton warps with linen wefts. The first swatch (17cm x27.5cm) shows four variations of overshot: ordinary overshot, overshot in summer and winter/ spacing, Italian treadling and sunlight and shadow. Handwritten paper labels are sewn to the back of the swatch. The second (4cm x 38cm) is Bronson Lace. A handwritten draft is sewn to the back of the swatch. A draft, handwritten on graph paper, shows the overshot threading and treadling variations, and Bronson lace threading and treadling.spacing, Italian treadling, sunlight and shadow
This three page typewritten report, written by Hilma Berglund, summarizes the history of the Minnesota Weavers' Guild from 1960-1965. During this time, the Guild continued to meet and teach classes at the Minneapolis Y.W.C.A. Malin Selander of Orebro, Sweden, was the teacher for two workshops. A third workshop was conducted by Mrs. Weyman of Illinois. Other guild programs, events and speakers are listed.
This 4 page typewritten report, written by Hilma Berglund, describes the first five years of the Twin City Weavers' Guild. It lists officers and charter members, membership statistics, the first three weaving institutes held at the University of Minnesota, and other activities of the Guild. Guild meetings were held at the Walker Art Center, Minneapolis Minnesota. A list of guild activities by date is included.
This 4 page typewritten report, written by Hilma Berglund, describes the second and third five years of the Twin City Weavers' Guild. It describes membership growth, programs and exhibits. Four weaving institutes were held, three at the University of Minnesota, and one in a private home. Due to the growth of membership, meetings were held both day and evening, and some meetings were held at member homes. Members were expected to provide proof each year that they were productive weavers. A Board of Directors was added and first met in 1949.
Two swatches woven in cotton threads and draft mounted on heavy paper. The swatches show several treadling variations. The swatches illustrate warp patterning with thick and thin threads. The swatches are 16 x 8 cm and 19.5 x 7.7 cm.
Drafts are presented on a sheet of 18cm by 11cm notebook paper. The title "Two-Color Threadings (Atwater bulletin February 1947)" is typewritten. Five drafts, hand-drawn on graph paper, are glued to the sheet. Treadling order is typed below each draft. Three swatches, woven by Hilma Berglund using cotton carpet warp for both warp and weft, show color and weave variations. Swatch A (labeled using the blank from the side of a sheet of stamps) follows the draft. Swatch B has two variations;, the draft B treadling and the draft D treadling. Swatch C has three sections: light weft, dark weft, and light and dark weft alternating. The first 2 sections have treadling variations.
A woven swatch of uphostery material woven by Hilma Berglund with thread samples and threading and treadling information. The index card reads "Warp: Gray carpet warp, set 15 to inch; Weft: Chartreuse cotton , Blue boucle rayon and cotton, Rose nubby rayon and cotton, red linen for binder; Threading: 4/3/4/1/2/1. C B R red Treadling: 3-4,1-2,3-4,1-3,1-2,3-4,1-2,2-4 Hilma Berglund" C B R red refers to the rotation fo the weft colors throughout the treadling sequence, i.e. Chartreuse, Blue, Rose, Red are repeated.
Five typewritten pages show 100 treadling variations that can be used for four shaft plain or twill threadings. This was part of a group project of the Twin City Weavers' Guild. The 5 accompanying swatches (17cm wide) woven by Hilma Berglund, use cotton carpet warp for both warp and weft demonstrate most of these possibilities. New labels are attached to replace original cellophane tape labels. Note to the text explains her numbering system. The information about the fifth sample is handwritten on cardboard. Scans of the first 4 swatches have the long side folded to show the reverse side of the weaving.
This handwritten letter dated January 4, 1940 on Seattle Weavers' Guild letterhead encouraged Hilma Berglund to form a guild in the Twin Cities area. It speaks to the benefits of weavers meeting monthly for programs and sharing of resources. It is addressed to Hilma's University of Minnesota address in Jones Hall.
This handwritten report summarizes the Minnesota Weavers Guild presence at the 1958 Minnesota State Fair. The report includes a list of organizing committee members, a budget, and demonstrations. Hilma Berglund was a member of the committee.There was a stronger guild presence at the fair since it was the Centennial of Minnesota statehood. The report concludes with recommendations for future years.
Main Street Antiques, CAPAZ Galleries, and R.L. Schneider, DDS were located in the Excelsior Block at 118-126 Main Street North in Stillwater, Minnesota
Birdseye view of the Stillwater Lift Bridge and the Commander Building in Stillwater, Minnesota. The Stillwater Lift Bridge is a vertical-lift bridge crossing the St. Croix River between Stillwater, Minnesota, and Houlton, Wisconsin. It first opened to traffic in 1931.
Buildings at 114 Chestnut Street East and 116 Chestnut Street East, Stillwater, Minnesota. On the left is the Brunswick House, constructed by William C. Penny, a carpenter by trade, about 1848, the same year in which Stillwater was platted as a town and the year the territorial convention took place. In 1849 the first meeting of the Independent Order of Odd Fellows (I.O.O.F.) in Minnesota took place in the upstairs of the house. The Pennys sold the house in 1863 to Julius Brunswick. Brunswick, from Switzerland, worked in the mercantile trade.
The Brunswick Inn is located at 114 Chestnut Street East Stillwater, Minnesota. Known as the Brunswick House, this building was constructed by William C. Penny, a carpenter by trade, about 1848, the same year in which Stillwater was platted as a town and the year the territorial convention took place. In 1849 the first meeting of the Independent Order of Odd Fellows (I.O.O.F.) in Minnesota took place in the upstairs of the house. The Pennys sold the house in 1863 to Julius Brunswick. Brunswick, from Switzerland, worked in the mercantile trade.
Building restoration at the former Croixside Press building at 308 Main Street South in Stillwater, Minnesota. John's Bar at 302 Main Street South is pictured in the background.
Picture of Cat Ballou's at 110-112 Main Street North and an Antique Store at 114 Main Street North in Stillwater, Minnesota. Both building were built before 1884.
Two buildings that were built pre-1884: Cat Ballou's at 110-112 North Main Street and Stillwater Book and Stationary at 114 North Main Street in Stillwater, Minnesota.
Picture of the Commander Building in Stillwater, Minnesota. The elevator, built in 1898 by the Woodward Elevator Company was connected to the flour mill building six years later, located on Main Street and Nelson. An overhead spout connected the buildings, both operated by the Minnesota Flour Mill Company until 1908.
Commander Building in Stillwater, Minnesota. The elevator, built in 1898 by the Woodward Elevator Company was connected to the flour mill building six years later, located on Main Street and Nelson. An overhead spout connected the buildings, both operated by the Minnesota Flour Mill Company until 1908.
The Connolly Shoe Building was built 1905 at 123 Second Street South in Stillwater, Minnesota. In 1905 Mr. Thomas F. Connolly, manager of the Stillwater Territorial Prison shoe shop was recruited to run new enterprise, a shoe factory, to provide last work for the residents of Stillwater.
Picture of 223 Chestnut or Tepass Block in Stillwater, Minnesota. Tepass block was built 1885 and named after Stillwater's first brewer. Country Classics, Anna Lou's, Tailor Maid, and Trimble & Associates. This is a four bay two story red brick structure with hood moldings of metal around the second story windows.