Bemidji basketball team, December 1901. Players in the back are Arthur Brannon and Harry Geil. In the front are Erton Geil and William Boskell. John Raymond is in the middle. Note the picture of Chief Bemidji on their uniforms (description from,"The Bemidji Area Looking Back" Pediment Publishing, 2004). The basketball is inscribed, "B.A.C. 1902."
Chief Bemidji, whose real name was " Shay-Now-Ish -Kung," received his new name from Lake Bemidji which was called Bay-me-ji-ga, or "lake with cross waters." He was born near Inger, Minnesota, in 1833 or 1834 and lived in the Leech Lake and Cass Lake area. In 1860, he married a Leech Lake Pillager Indian woman and they had eight children, three boys of whom died at early ages. Four daughters and one son grew up and lived to older ages. In 1882, Chief Bemidji's wife died. Saddened by her death, he loaded all his possessions and children in his birch bark canoe and paddled up the Mississippi River to settle on the south shore of Lake Bemidji. He was the first permanent settler of Bemidji (from p. 107,"The Bemidji Area Looking Back" 2004).
W. B. Mclachlan was captain of the cruise boat, "City of Bemidji" around the turn of the last century (description from,"The Bemidji Area Looking Back" Pediment Publishing, 2004).
City Opera House was located at 401 Minnesota Avenue, Bemidji, circa 1905 (description from,"The Bemidji Area Looking Back" Pediment Publishing, 2004).
The recording is a tour by John G. Morrison, Jr., of items he donated to the BCHS, before a small group. Morrison discusses baby boards; snowshoes; an item that depicts the life of a Sioux hunter and warrior; war clubs; a tomahawk; a Paiute root that was chewed; a doll; moccasins; dancing regalia; several pipes; tobacco pouches; and grand medicine paraphernalia. In the middle of the recording, a man is singing Native American (probably Ojibwe) songs. Brown Oak Grove could be the man singing or drumming. Morrison discusses headdresses; the knuckle game; dancing regalia; a water drum; and other drums. Next, one man is singing Native American songs; either the same man or another person is drumming. One of the songs was written by Robert Gibbs about his son, who died in World War II. Finally, a man demonstrates a water drum and Morrison answers a few questions. This record contains parts of multiple interviews. Please refer to the transcripts for help understanding these.
The recording is John G. Morrison, Jr., providing a tour of a museum in Bemidji, featuring artifacts he donated, probably to members of the Beltrami County Historical Society. On the tour, he describes a violin that belonged to his father; his collection of pipes; Navajo rugs; his grandfather's snuffbox and wallet; an assortment of drums and their purposes; bowls; a shopping bag; a battle flag; baby boards; snowshoes; a model tipi; a gambling game; tools and utensils; buckskin bags to carry food; a flint-lock musket; lacrosse sticks; war clubs; powder horns; a quiver; the knuckle game; sashes; headdresses; a stick detailing the training of a warrior; necklaces; and tobacco pouches. The tour continues as he describes necklaces; ladies' gowns; a beaded sack; a skirt; a doll; a necklace made of human bones; ladies' shopping bags; more beaded sacks; leggings; gloves; a dancing costume; a display of sugar-making equipment; baskets; birchbark floral designs; moccasins; belts; moose hides; sweet grass blankets; grand medicine bags and paraphernalia; and drums of medicine men. This record contains parts of multiple interviews. Please refer to the transcripts for help understanding these.
Engine on the Minnesota and International railroad bridge over the Battle River. Claude Ritchie is the engineer, Art Setterholm is the fireman, John Vanhouse, is the brakeman and Roy Rice is the pilot. (description from,"The Bemidji Area Looking Back" Pediment Publishing, 2004).
Horse and buggy parked in front of Hakkerup's Photo Studio located at 113 3rd Street in Bemidji (description from,"The Bemidji Area Looking Back" Pediment Publishing, 2004).
View of an early 1900's hunting party hauling a moose out of the timber. Emil Falk in the first man on the left (description from,"The Bemidji Area Looking Back" Pediment Publishing, 2004). The moose is on a handmade sled.
Several different clips of interviews are present in the first quarter of the recording; the bulk of the recording is an interview with Charlie Wight. The first clip of significant length is an interview with a man, possibly Albert D. Johnson, who tells Vandersluis about the men who helped prepare legislation for the state game preserve. The recording then jumps to an interview between Vandersluis and timber cruiser Charlie Wight. Wight talks about S. C. Bagley's work on the Schoolcraft River, and what other companies Bagley worked for. Then the recording returns to Johnson, about how Lake of the Woods County was also invested in a state game preserve; whether beavers spoiled the ditches; and the boundaries of the game reserve. Finally, Wight discusses how the Wells brothers owned the Brainerd Lumber Company; how Clark and Dempsey sued the Brainerd Lumber Company for damage on a drive; a narrow-gauge railroad built by the Gull River Lumber Company; conversion to standard gauge; working for Irwin and O'Brien; early history of the Duluth and Winnipeg right-of-way; other trails and canoe routes; how the dam affected Lake Winnibigoshish; what other companies he worked for; working for the Crookston Lumber Company; about R. E. White and White and McDevitt; the Freestone boys; Old Man Dixon; how settlers used scrip; bits about early Kelliher; and other early loggers he knew.
The first part of the recording was made August 1, 1951, in St. Paul. Ralph Carson interviews his father, Joseph Evan Carson, about when his mother died; and where his parents came from. Ralph then reads the flyleaf of the Pondsfordian, by Reverend Benno Watrin, regarding some Carson family history. Evan then talks about the names of his family; their leaving Carsonville; when and where his brothers started their stores where they got their stock; when and where his father built a stopping place; the Beltrami Eagle; his mother's hotel; early Bemidji buildings; earliest Bemidji residents; the Alex Cameron family as the first family at their hotel; memories of Chief Bemidji; where the first school was and early teachers; receiving Chief Bemidji's gun from Mary Carson; and the swimming hole. Evan's wife, Jennie Newell Carson, makes a few suggestions. The recording then transitions to an interview of Evan Carson by Dr. Charles Vandersluis in Bemidji. Carson describes some photographs; street grading; unmarked burials; lumberjacks trying to protect their money; his father serving as probate judge. This record contains parts of multiple interviews. Please refer to the transcripts for help understanding these.
The first part of the interview features Laura Carson Moore, daughter of El and Mary Carson and granddaughter of Chief Bemidji. Moore talks about her parents' names, when and where she was born, how her parents met, her family, her childhood, her family's move to Texas, how she met her husband, their golden wedding anniversary, her Ojibwe grandparents, her grandfather drinking, trying to find their homestead, her Carson grandparents, her pet deer, her grandchildren, any artifacts she owns, and how quickly her mother forgot the Ojibwe language. The second part of the interview features Moore's cousin, Ralph Carson. Carson dicusses his history, his early memories fishing, his aunt Jessie Carson Spain and her family, his father's pet bears, and his father stealing feathers out of Chief Bemidji's headdress. Other people during the interview include Moore's husband, William Moore, their daughter Eva Mae Moore Long, Carson's wife Grace White Carson, and a secondary interviewer possibly Theo Johnson. The final part of the recording features Ralph Carson, son of Evan Carson. Carson discusses family stories of his grandmother, Susannah Carson, scaring away a bear and making bread from horse feed; family artifacts; and his family history in newspaper work. Other people present during the interview include his cousin Laura Carson Moore, her husband William Moore, their daughter Eva Mae Moore Long, and a secondary interviewer, possibly Theo Johnson. Carson's wife, Grace White Carson, also briefly speaks about her own family; her memories of Susannah Carson, and two of Susannah Carson's platters.
An unidentified man discusses when he began working for the Crookston Lumber Company's railroad; the Island Lake railroad; going back and forth to short railroad jobs; the spur to Island Lake; the siding at Spaulding; the trestle near August Becker's house; early Holt; and people he worked with. In Part 2 he recounts a Y in the railroad at Kelliher; hauling logs from the Battle River; where Crookston Lumber Company had a camp near Waskish; hauling logs out of Blackduck Lake; an argument with a straw boss at the Taft II spur; and various railroads and projects.
The recording is an interview with an unkown lumberman who worked near Grand Forks. This record contains parts of multiple interviews. Please refer to the transcripts for help understanding these.
Otterstad discusses his family's arrival in the Turtle River area in 1900; the early buildings of Turtle River; the logging industry; the town of Farley; the Red Lake-Leech Lake Indian trails; and early Turtle River newspapers. This record contains parts of multiple interviews. Please refer to the transcripts for help understanding these.
Charlie Wight discusses first meeting the McAllister brothers; cruising Balsam Lake with McAllister; his memories of a woodsman named William Taft; the Taft spurs; a spur from Red Lake to Lake Julia and the logging around Lake Julia; hoisting logs out of Mud Lake; what determined whether a company would trestle or hoist logs; Scanlon-Gipson operations around Little Turtle Lake in 1901-1902; his acquaintance with Dave Conners; Irwin and O'Brien landing logs in Whitefish Lake; where lumber was sawed; the first road into Funkley; whether he saw any Native Americans living around Bemidji early on; whether he noticed old native trails; the names of different portages; scouting out homesteads; early logging by the Keewatin Company; the equipment his outfit used on their trips; trying to find a folding-up oven to demonstrate baking biscuits; the length of his first cruising trip; where else he cruised; how Weyerhaeuser moved his timber to Little Falls; the type of ties used for an inland logging railroad; the operation at Cross Lake; how moving logs by rail is like portaging; the amount of timber in the Cross Lake area; who he worked for after leaving Weyerhaeuser and Billy Woods; buying his own timber; losing almost everything in the Panic of 1932; about his family; what he did after the panic; his knowledge of Billy Woods; and his method of cruising. Then Wight discusses how he burnt slash; trying to talk another cruiser out of burning in poor conditions; how state policies hindered safe burning conditions; claims that were heavily timbered, and buyers who sold low; cruising for Clerk of Court Rasmussen; his health; a tree scale table by Frank Hasty; Frank Hasty; his sight; where the best timber was; whether you drive timber from Clearwater to Winnipeg in a year; Eau Claire area timer companies; the interviewer briefly tells about Weyerhaeuser difficulties north of Grand Rapids; Wight's visit at Cloquet; value of stumpage. This record contains parts of multiple interviews. Please refer to the transcripts for help understanding these.
Dr. Vandersluis interviews his father, Charles William Vandersluis. Vandersluis discusses a man named Dick Palmer, who had a saloon; when Dick shot a man; when Fred Wightman had his pocketbook stolen at a boarding house; the popularity of gambling; gamblers leaving Bemidji for Nevada in 1915; singer Hank Underwood; when Solway burned down; Sieb Vandersluis, who was a printer in Solway; when Ernie [Flemming or Plummer?]'s logs freed themselves after three years; how Ernie Flemming met his wife; how Ernie made money; a man whose horses froze in Lake Winnibigoshish; how Ernie's daughter got sick with a painful skin ailment; making trips to Canada [to get liquor?]; Joe Markham selling his hotel, then digging a hole to pretend he was building another; Fred Brinkman turning his hotel into a theater; a series of theaters; serving on the building committee for the Elks building; Ernie Flemming helping finance the building; Al Jester and his resort; S. D. [Werks?] bringing in sheep; the area of Guthrie; changes to the city hall building when he was mayor; his memories of Buena Vista; and whether Bemidji put up money to have the terminal of the Red Lake, Minneapolis and Manitoba Railroad.
This is the recording of a presentation on the history of music in Minnesota presented by an anonymous person. The presenter speaks about music history, sings a song arranged by Frances Densmore in some way representing Ojibwe music, sings a French Canadian voyageur song, and sings a song dating to territorial Minnesota arranged by Bessie Stanchfield called "The Beauty of the West" with the audience joining in. The final part of the recording seems to be Dr. Charles Vandersluis showing the recording device to his family or a private group. This record contains parts of multiple interviews. Please refer to the transcripts for help understanding these.
The recording is Dr. Charles Vandersluis interviewing his father, Charles W. Vandersluis (CWV). Vandersluis (CWV) talks about his own father's work as an interpreter at a St. Cloud hardware store; the Red River carts going through St. Cloud; his parents, grandparents, and siblings; their house in St. Cloud; and log drives on the Mississippi. This record contains parts of multiple interviews. Please refer to the transcripts for help understanding these.
The recording is an interview with Charlie Wight and unidentified others. Due to glitches in the recording, the content is disjointed, but includes some discussion of snowshoes and possibly horse bridles. This record contains parts of multiple interviews. Please refer to the transcripts for help understanding these.