Overview of the Turnblad mansion taken from the apartment building across Park Avenue. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
View of the mansion from the carriage house and showing the doorway to the kitchen area. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Children in Swedish costume at what is probably the unveiling of the statue. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Exhibit of artifacts from Varmland displayed in the Turnblad mansion dressing room. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Steiner was one of 18 carvers hired to work on the Turnblad mansion when he was 26 years old. He carved the cherubs in the music room and the wreath over the fireplace in the dining room. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Looking upwards at the turret on the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Looking upwards at the turret on the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Swedish artifacts on exhibit in a third floor room of the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Swedish Prince Bertil sits in front of dining room fireplace at the American Swedish Institute as Bill Carlson, television interviewer, talks with the prince. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Two men speak in the library of the American Swedish Institute. General George E. Leach was mayor of Minneapolis from 1921-1929. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
The Crown Prince, wearing glasses and holding a piece of paper, talks to officials on the stage. A small crowd of photographers stands in front of the stage while hundreds of onlookers populate the background.
View of an exhibit featuring mainly textiles. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Kakelugn and furniture in the third floor studio room. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Herman Schlink, stone sculptor for the mansion, poses on the left with his brother, Frank Schlink, who helped with the rough carving, and Mr. Corwin, a helper on the right. Almost completed mansion in the background. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Mr. Corwin, helper to Mr. Herman Schlink, poses at right with Herman Schlink, center, and Frank Schlink, brother to Herman and rough carver. Herman Schlink was the master craftsman for all the exterior stone carving on the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Master stone carver Herman G. Schlink carves stone for the facade of the Swan J. Turnblad residence. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Women demonstrate spinning and weaving skills in the Lillian Turnblad studio room. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Kakelugn and carved paneling in the smoking room created by Swan J. Turnblad for his gentlemen guests. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Textile and artifact exhibit in the breakfast room of the Turnblad mansion, fall season. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Exhibit featuring cultural artifacts from one Swedish province. Exhibit is in the breakfast room of the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Looking down from the balcony at the American Swedish Institute at a reception crowd to welcome Swedish singer Birgit Nilsson, shaking hands in the lower right corner of the photo.
This is a close-up view of the sign over the front door and the turret on the American Swedish Institute. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
View of the mansion from the carriage house and featuring the driveway under the Solarium. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Built-in sideboard carved by Ulrich Steiner for the Turnblad mansion dining room. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Side view of the Selma Lagerlof statue showing the inscription, including her life dates and achievements. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Front view of the Selma Lagerlof statue in winter. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Balcony overlooking the Grand Hall with artworks exhibited on the walls. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Textile and artifact exhibit in the first floor salon of the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Tables full of artifacts representing one Swedish province. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
South wall of the salon or drawing room of the Turnblad mansion, including side tables, lamps, and paintings. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
View of turret and peaks on the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Prince Bertil, in the center, shakes hands with Stanley Berglund while director Elmer Albinson looks on. The exhibit panel in the background features the earliest Norwegian settlers in Minnesota.
Prince Bertil stands in front of the American Swedish Institute with Elmer Albinson, at far left, Emerit M. Anson, Ambassador Eric Boheman, Prince Bertil (hand in jacket), Algoth F. Johnson, and Reuben W. Anderson (on right).
Ribbon cutting for "The Scandinavian Roots of our State" exhibit. Left to right: Elmer Albinson, ASI director of the Institute, Prince Bertil cutting the ribbon, Emerit Anson, chairman, Reuben W. Anderson, treasurer of the Institute.
Portrait of Swedish American fiddler who plays Swedish music at the American Swedish Institute with the ASI Spelmanslag. He created that group in 1985 and was recognized as an NEA National Heritage Fellow in 1996.