This cartoon, published on April 11, 1903, in the Minneapolis Journal, portrays Tom L. Johnson, Cleveland mayor and Democratic contender for his party's nomination for both the Ohio governor's race and the presidential election. Johnson is shown driving an automobile labeled "Auto-Reform" past "Aunty Democracy." Johnson's car is kicking up clouds of dust representing his radical ideas and Socialism. Behind, the Democratic donkey plods along, his ears marked "Old Ideas Dem." The published cartoon's caption read, "A little too fast for Aunty," with the sub-caption, "Aunty Democracy--The odor's pretty bad, Tom--Your new-fangled rig may be all right, but I guess I'll stick to the old donkey yet awhile."
This cartoon, published on July 16, 1912, shows a man standing outside a grocery store, looking at displays of rain gear. The store's proprietor stands in the doorway.
Minnesota Governor John Lind and Minnesota State Democratic Central Committee Chairman L. A. Rosing are shown standing outside the Parker Stables, hanging onto a rope attached to the Minnesota Democratic donkey, who is being tempted by William Randolph Hearst with a pail marked by a dollar sign and containing ears of corn. This cartoon appeared in the Friday, April 1, 1904, edition of the Minneapolis Journal and refers to Minnesota political attitudes toward two of the contenders for nomination to run for president on the Democratic ticket, Hearst and Judge Parker.
This cartoon shows Uncle Sam, the G.O.P. elephant and the Tariff catching Cold Storage in the act of raiding a pantry containing eggs, butter, and other foods.
Published on May 22, 1912, this cartoon shows "Champ" Clark, standing by a fence labeled "Minnesota Presidential Field"and pointing to a dog with a human face. Clark tells a boy, "Minnesota Politics," who has tied a bucket to Clark's dog's tail, that Republican Congressman Charlie Towne shouldn't be kicked around.
A man wades through Lake Excelsior in the pouring rain as various animals comment on his plight. This cartoon appeared in the Minneapolis Journal on May 24, 1909.
Depositors are walking into the U. S. Postal Savings Bank, which is shown as occupying a giant Uncle Sam's hat. In the background are homes and factories.
Published on Thursday, May 6, 1909, this cartoon is divided into two frames. The upper frame shows wheat from Canada being led to flour mills in the United States by the "Tariff Provision by which Canadian wheat may be milled in the United States and have drawback of duty when exported as flour." Its caption reads, "The wheat must go to the mills." The lower frame shows United States flour mills running toward the Canadian border, where a smiling wheat figure beckons to them. Here, Uncle Sam, holding a shepherd's crook tagged "Any kind of a drawback," pursues the mills, hoping to hold them back. This frame's caption reads, "Or the mills will go to the wheat."
Published on the front page of the March 2, 1904, edition of the Minneapolis Journal, this cartoon depicts a husband and wife having coffee at their dining room table. The husband is shaking salt onto the front page of the "Daily Newspaper," whose headlines include "Gigantic Victory for Russian Arms." In the published version, which includes caption and dialog, the wife asks, "Why, John, what in the world is the matter?" He replies, "I'm just taking this St. Petersburg story with a little salt." This is a reference to public response to unconfirmed reports coming from St. Petersburg, Russia, that Russian army forces had overwhelmingly defeated Japanese forces in a land battle in northern Korea, and that a sea battle near Port Arthur had resulted in the sinking of Japanese boats.
Published in the Thursday, May 12, 1904, edition of the Minneapolis Journal with the caption "The Hoosier School Boy," this cartoon refers to the Indiana Democratic state convention, where Hearst followers challenged the convention majority, which had supported Judge Parker, by claiming unfair treatment. The claims were defeated, and the convention "instructed for" Parker. National Committeeman Thomas Taggert is portrayed as the teacher, while Hearst and the Indiana Democratic Convention are portrayed as school boys, one a privileged prankster, the other a poor pupil who reads aloud the instructions for Parker and Taggert.
The March Lion, having just eaten the Spring Lamb, licks his chops. The cartoon reads, "Maltese cross indicates location of the lamb." Published March 6, 1915, this cartoon pokes fun at the harsh weather that often characterizes Minnesota's late winter.
Published on December 10, 1908, this cartoon shows the Egg and the Potato addressing each other, "The Egg--'Hello, Small Potatoes and Few in a Hill, you needn't be so fresh. I knew your folks when you weren't worth 30 cents a bushel.' The Potato--'No one would accuse you of being fresh, and that's no joke. No doubt you can remember a good way back, all right, all right!'" The Egg's waistcoat is marked "Eggs 50 cents Doz." and the Potato's is marked "Potatoes 85 cents Bu." This dialog might be related to an article, published in the same edition of the newspaper, telling about the Minnesota Potato Growers and Shippers Association winning the support of the Interstate Commerce Commission for their demand that railroads provide heated cars for shipping perishable freight in freezing weather.
Published on July 14, 1913, this cartoon shows the Underwood Simmons Tariff Bill being pushed onto the U. S. Senate stage by Senator Simmons, while the audience pellets the bill with eggs and vegetables labeled "Antagonist," "Criticism," and so on. Sen. Simmons, Chairman of the Senate Finance Committee, had arranged for the controversial bill to be introduced to the Senate for debate on July 14.
This is a typewritten report from Hilma Berglund, president of The Minnesota Weavers' Guild, dated May 7th, 1959. It is an annual report, with handwritten corrections and signature.
This 4 page typewritten report, written by Hilma Berglund, describes the second and third five years of the Twin City Weavers' Guild. It describes membership growth, programs and exhibits. Four weaving institutes were held, three at the University of Minnesota, and one in a private home. Due to the growth of membership, meetings were held both day and evening, and some meetings were held at member homes. Members were expected to provide proof each year that they were productive weavers. A Board of Directors was added and first met in 1949.
Cabinet photograph of Truman Elwell Rickard (1881-1948) in winter attire. In 1904, as a University of Minnesota student, Truman Elwell Rickard (composed the music and wrote the original words for "Hail! Minnesota," which became the Minnesota state song in 1945. Rickard later married Grace Larson, a daughter of L.W. Larson, a prominant early Fosston settler.
Title from cover. Rectangular logo of the society with headless winged figure printed on front cover. At head of title: The Minneapolis Society of Fine Arts. ""October 8 to November 5, 1911, Minneapolis"". Includes artist biographical information and address. Catalog from an exhibition sponsored by the Minneapolis Society of Fine Arts, parent and governing body of the Minneapolis Institute of Art. 1 folded sheet (4 unnumbered pages).
Lee Gresser was the first director and employee of Hennepin Technical College. He, the District 287 Board (made up of 15 individual suburban school districts), and Richard Emery were instrumental in lobbying for a suburban vocational-technical school, buying land, deciding which programs to offer, and who to hire to teach the programs. Lee was interviewed by Joyce Randall Senechal. Also present in the room were Carole Carlson and Marty Patterson.
This issue is preceeded by Volume 3, Number 3 - 1975 and succeeded by Volume 3, Number 5 - 1975. NorTec News was a staff publication (by faculty and staff, for faculty and staff) that was published from December 1972 to December 1975. It included campus news and happenings, as well as new staff, program director lists, and employee birthdays and anniversaries. Hennepin Technical College began as Suburban Hennepin County Area Vocational Technical Centers - District 287 in 1972. Through the years the name was changed to Hennepin Technical Center, Hennepin Technical Institute, and currently Hennepin Technical College.
NorTec News was a staff publication (by faculty and staff, for faculty and staff) that was published from December 1972 to December 1975. It includes campus news and happenings, as well as new staff, program director lists, and employee birthdays and anniversaries. Hennepin Technical College began as Suburban Hennepin County Area Vocational Technical Centers - District 287 in 1972. Through the years the name was changed to Hennepin Technical Center, Hennepin Technical Institute, and currently Hennepin Technical College.
Variant title: Samplers: a brief historical treatise on needlework samplers. Stylized illustration printed on front cover. Article to accompany an exhibit held at the Minneapolis Institute of Art, through April 15, 1921. "Through the kindness of Mrs. Emma B. Hodge of Chicago, her famous collection of samplers ... has been shown ... "--Bulletin of the Minneapolis Institute of Art (Volume X, number 4 (April, 1921)), page 25. Includes bibliographical references (page 6). 6 unnumbered pages.
Top Row: Jack Trump, Bill Henny, William Mueller, Charles Wallace, Walt, Sipe, Howard Hommes, Mike Plumedahl, Robert Clasen, Vince Hallett. Second Row: Merv Holt, Don Ackerman, Francis Gfoerer, Kenny Nesseth, Dick Genung, Bud Gallagher, Carl Matson, Matt Spurzem, Hess Linderholm. Third Row: Al Bossert, Arthur Master, James Robinson, Bill Linderholm, Joe Knaeble, Tom Shaw, Adolph Jullie, Francis Chervny.
Title from cover. Reprint. Originally published: Proceedings of the American Association of Museums. Vol. 11 (1908). Koehler gives a presentation on the requirements and considerations for establishing an art museum based on his experiences for planning facilities at the Minneapolis Institute of Art and the Minnesota State Art Society. 1 unnumbered page, pages 125-131.
View of the East Lake Theater facade, Minneapolis, Minnesota, from the street. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of the facade and marquee of the Hollywood Theater, Minneapolis, Minnesota. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
Construction progress photo showing the structural framing of the auditorium of the Hollywood Theater, Minneapolis, Minnesota. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of the exterior corner of the Hollywood Theater, Minneapolis, Minnesota, showing the dwelling to the north of the building. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of the exterior corner of the Hollywood Theater, Minneapolis, Minnesota, showing the dwelling to the north of the building. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of the lounge in the lobby of the Hollywood Theater, Minneapolis, Minnesota. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives