Three separate sketches: Section ""X-X""(straight front view, cut away for half showing interior construction and measurements); Section on center line (side view into priest's side of confessional); Side Elevation (left side, door into priest's side). Also Half Plan at ""A-A"" sketch (view from above looking down on roof plan and interior).
Sheet no. 10. Notes: Seat of Best Quality Leather; spring cushion; Same detail on sides as shown for sedillia. Penciled in very lightly beside the chair is a priest figure.
Building no. 2, sheet no. 100. Notes: Make 1 thus for St. Joseph's Altar (Base detailed on sheet #2). Make 1 thus for Sacred Heart Altar with Base as detailed on sheet no. 101. Noted materials: Ebony inlay on cross, ivory corpus.
Untitled sketch. Includes canopy, throne, stools and a walnut platform. Canopy details include the Archdiocesan coat-of-arms, painted in color, gold leaf and velour drapery. Throne detail shows carvings on seat back and posts, and note a spring cushion of ""best quality leather""
Sheet no. 201. St. Joseph monogram, S-J encircled by lilies. Encased in circle, with leaf and berry motif around outside of circle frame. To be centered along center line of the altar.
The Choir of the Pro-Cathedral of Saint Mary poses with director Father Francis A. Missia outside the northeast door of the church. Mrs. Grace Long stands in the front row, 6th from the left.
Sketch of Chapel of the Immaculate Conception. Pillars, decorations, and Mary emerging from a cave, with another woman kneeling below. Chapel bears inscription,""Je suis l'immaculee conception,", and is marked ""traced"" by FAA (architect Frank A. Abrahamson) and dated.
Book containing announcements made at Sunday mass, including marriage banns, deaths, parish activities and news, annual financial reports. Also includes detailed accounting of the interior finish of the church and its elevation to a minor basilica. Book was also used as a scrapbook for programs and newspaper clippings pertaining to the church and Catholic events in the city.
View from the pews of the temporary altar, decorated with lillies and greens for Easter. Taken before the interior granite facing, stained glass windows and raised pulpit were installed.
Untitled sketch. Angels top the posts on the chair back, and a heraldic shield (possibly a bishop's coat-of-arms) is above the back cushion. To right, a very lightly sketched priest faces the chair, perhaps to show scale.
Sheet no. 213-A. Revised section through baptismal font basin showing additional drain from storage compartment. Also, small sketch detail of baptismal font lid in lower left corner.