No. 952-A. Drawn by G.B.M. Two side-by-side drawings: Door no. 3, with symbols for Peter, Andrew, John and James. This drawing has been colored with orange and blue pencils; Remaining 7 doors prototype. Also a sketch indicating door locations.
Sheet no. 105. Side view detail of table legs, upswept swirls, with center floral carvings. Below swirls, Basilica seal of shield and umbrellino. Also side view of detail.
Sheet no. 226. Detail ornamentation and section view, also notes. A section of the drawing, which appears to have contained ""typical detail of the 4 symbols to be hammered in low relief in 4 panels"" has been cut away.
Untitled sketch. On left, rough outline of Calvary grouping as carved by sculptor John Garratti. On right, more complete sketch of alternative pieta statuary for the pillar location, with Mary holding Christ below a cloth-draped cross.
Sheet no. 8. Details showing return of cresting at rear of canopy. Metal framework structure. Plan of platform (lower platform in 4 sections for easy removal and storage).
Three separate sketches: Section ""X-X""(straight front view, cut away for half showing interior construction and measurements); Section on center line (side view into priest's side of confessional); Side Elevation (left side, door into priest's side). Also Half Plan at ""A-A"" sketch (view from above looking down on roof plan and interior).
Sheet no. 10. Notes: Seat of Best Quality Leather; spring cushion; Same detail on sides as shown for sedillia. Penciled in very lightly beside the chair is a priest figure.
Building no. 2, sheet no. 100. Notes: Make 1 thus for St. Joseph's Altar (Base detailed on sheet #2). Make 1 thus for Sacred Heart Altar with Base as detailed on sheet no. 101. Noted materials: Ebony inlay on cross, ivory corpus.
Sheet no. 201. St. Joseph monogram, S-J encircled by lilies. Encased in circle, with leaf and berry motif around outside of circle frame. To be centered along center line of the altar.
Sketch of Chapel of the Immaculate Conception. Pillars, decorations, and Mary emerging from a cave, with another woman kneeling below. Chapel bears inscription,""Je suis l'immaculee conception,", and is marked ""traced"" by FAA (architect Frank A. Abrahamson) and dated.