Depicted in this photo is Abraham Mallinen and his family, in of their farmstead, along with their horses. He was the first licensed minister of the Town of Thomson and served as pastor of the Apostolic Lutheran Church of Esko when it was first organized. He settled in Thomson Township with his family in 1883 on his farm, which was located west of the present day Thomson Road and north of the Palkie Road.
St. Benedict's Academy (1883-1909); St. Benedict's Monastery (convent), St. Joseph, Minnesota. Academy class of 1883-1884, front row sitting left to right: Neville Ensor, Mary Schwartz, Elizabeth Spies, Tillie Keppers, Barbara Venne, Margaret Sanz, Ursula Glatzmeier, Anna Herron, Bertha Linnemann, Carrie Smith, Alta Letson, Frances Pfannenstein, Lena Bernick, Mary Rhodes, Lucretia Mutschlechner. Second row sitting: Rose Black, Mary Merten, Anna Brockmann, Theresa Schreiner, Margaret Klein, Stella LaComb, Margaret Kerst, Josephine Friend, Anna Wagner; (Third row sitting): Anna Kahl, Laura Bosworth, Margaret Lauermann, Magdalen Theisen, Barbara Eich; (First row standing): Eliza Darbelly, Louisa Maurin, Sister Alexia Kerst, Mary Roach, Clara Otto, Mary Kennedy; (Second row standing - next to building): Johanna Madigan, Mary Brockmann, Jennie McLean, Sister Bonaventure Kapsner, Margaret Claesgens, Margaret Farrell, Sarah Farrell, Louise Wall, Mattie Bosworth, Josie Smith, Mary Zimmer, Sarah Kelly, Lavina Huber, Sister Pius Roche, Sister Celestine Marschall, Josie Gerard, Mary Hoffmann. While the sisters rejoiced at the increasing enrollment, they were concerned about maintaining a small enough number to assure a homey atmosphere and a community spirit. In the early 1880s, because many of the students were of grade-school age, there was a built-in family atmosphere in the academy. Gradually, however, the academy drew students of high school age and older; by 1909, the academy was ready to consider offering college classes (Saint Benedict's Monastery Archives).
First 5O years of the College of Saint Benedict (CSB). At first the college shared the facilities of the academy in Cecilia and Gertrude Halls. Cecilia Hall, built in 1881, is described in the 1926 College Bulletin: "Five dining halls with service rooms occupy the basement floor, five reception rooms the first floor, seventeen music practice rooms and five teacher's studios the second, while the third was remodeled in 1924 into a residence hall with an infirmary area. The private rooms are furnished with vanity dressers, tables and settees; each has a large private wardrobe and hot and cold water. A trained nurse is at all times in charge of the perfectly equipped infirmary. A secluded cottage (infirmary/guest house) on the campus, also in charge of a trained nurse, is used in case of contagious illness." Gertrude Hall, built in 1898, is also lauded in the 1926 College Bulletin: "In the basement is the service room fitted with the most convenient shampooing apparatus, irons, electric attachements, etc.--also cloak rooms, locker rooms, a stationery store, a confectionery store, and a kitchenette fully equipped for the serving of light lunches or 'spreads.' On the first floor are administration offices and the chemical and physical laboratories. . . On the second floor is the botanical laboratory and classrooms, well-lighted and each furnished with a special library open to the use of the students. The third floor provides airy pleasant dormitories for those who do not wish to rent private rooms." However, many of the activities of the college centered in the two new buildings, Teresa Hall and Sacred Heart Chapel, which were as up-to-date as Benedicta Arts Center and Regina Hall seem to us now - perhaps more so. Teresa Hall was the height of luxury! It had a library on 1st floor, an auditorium/study hall on 2nd floor, a rotunda (residence area) on 3rd and 4th floors (where some rooms had private baths and every bedroom had hot and cold water) and a gymnasium on the ground floor. (Gable, OSB) The chapel inspired by new architecture, very moderate baroque with its Carrara statues and Sienna marble pillars from Italy (and majestic, granite pillars from Rockville, MN), was a perfect example of its baroque type -- Newman's favorite. However, the college faculty was concerned about the later interior decorating of the chapel. In 1958, members of the art department, Sisters Johanna Becker and Jacquelyn Dubay as art consultants, helped the community restore some of the chapel's original lightness which had seemed so right in the beginning. (Gable, OSB)
The bulletin of Plymouth Congregational Church, Minneapolis, Minnesota, includes the program for the dedication of the World War I Memorial and the names of Plymouth members who served in the war. The memorial was designed and built by the company of Hewitt and Brown. It was destroyed by an automobile in 1960.
Confirmation students in graduation dress, posed with their teacher at Adath Jeshurun. Confirmation is a coming of age practice for post Bar and Bat Mitzvahs. It was originally developed by the Reform movement to follow bar- and bat-mitzvahs in the belief that thirteen year olds were not yet ready to be considered adult and should continue on in their religious education.
Contributing Institution:
University of Minnesota Libraries, Nathan and Theresa Berman Upper Midwest Jewish Archives
Confirmation students in graduation dress, posed with their teacher at Adath Jeshurun. Adath Jeshurun was located on the South Side in a building designed by the architect Jack Leibenberg. In the late 1990s the congregation relocated to Minnetonka. Rabbi Gordon is in the back row wearing the tallit.
Contributing Institution:
University of Minnesota Libraries, Nathan and Theresa Berman Upper Midwest Jewish Archives
A photograph showing the front exterior of Adath Jeshurun Synagogue. Adath Jeshurun was founded 1884. It joined together two groups of Jews--immigrants from Russia and Romania--that had settled on Minneapolis's South Side. The building in the picture was, like Temple Israel, designed by Jack Liebenberg in the Neoclassical Revival style. The number three--corresponding to the number of doors--has several symbolic references, including to the three patriarchs, Abraham, Isaac and Jacob.
Contributing Institution:
University of Minnesota Libraries, Nathan and Theresa Berman Upper Midwest Jewish Archives
Construction of Sacred Heart Chapel, St. Benedict's Monastery (October 21, 1912). An enclosed cloister walk was constructed to connect the second level of the south side of the chapel to the second level of Teresa Hall at the college. An enclosed cloister walk connecting the second level of the north side of the chapel to Marmion Hall (formation house) was also in the plans. Because later photographs show this south court area without a cloister walk, it may be assumed that the construction workers had to remove the cloister walk shown in progress in this photograph, probably to give more space for the ensuing construction work. However, photographs of early 1914 show that the enlosed north and south cloister walks were added to the chapel immediately upon the completion of the chapel.
Construction of Sacred Heart Chapel, St. Benedict's Monastery (October 28, 1912). One week after the steel girders for the inner walls were installed, the steel supports for the stained glass windows were in place.
Early ventures in St. Joseph, Minnesota (1880-1890). Because the government opened the contract for any number of students to attend St. Benedict's Industrial School, an addition was constructed on the west end of Marmion Hall so that the building could accommodate 150 students. When in 1896, the government dropped the contract system of Indian education, the school remained open for two more years when it was forced to close due to lack of funds. The west addition to Marmion Hall was then converted to a school for little boys (ages 6-12), often referred to as "Bethlehem School for Boys." The sisters reserved the east end of Marmion for the formation of its new members (Saint Benedict's Monastery Archives; McDonald, page 122).
A winter view of the Duluth Harbor, the Aerial Lift Bridge, and Lake Superior from 1015 East Eleventh Street, the site of Peace Church. The church has evolved through three names. In 1872, the German congregation chose the name St. Paul's Evangelical Lutheran Church. The first church built that same year at Tenth Avenue East and Third Street still stands as an apartment building, and is the oldest church building in Duluth. In 1934 they changed the church name to St. Paul's Evangelical and Reformed. in 1957 it was given the name St. Paul's United Church of Christ. In 1959, the congregation broke ground for the new church at the present site and changed the name to Peace Church.
Contributing Institution:
University of Minnesota Duluth, Kathryn A. Martin Library, Northeast Minnesota Historical Collections
Aerial view from the southwest, showing the church, rectory and school. A foundation hole has been dug for the convent building. To the west, most homes and businesses have been razed to make way for construction of Interstate 94.
Aerial view of St. Benedict's Monastery. This aerial view (taken 30 years after the construction of the chapel) shows how the Sacred Heart Chapel, though constructed at the back door of the convent, became the center of the campus. The Scholasticate (now Rosamond North) was built immediately west of Marmion for potential candidates, many of whom came to attend high school. Farther west, St. Walburg's was built to house the vestment and sewing departments, as well as to provide living quarters for some sisters. A garage replaced the farm buildings near the tower. However, it took another 15 years to move all of the farm buildings farther west.
Expansion of Monastery (1880-1909). This aerial view of St. Benedict's Convent/Academy campus (1909) shows the extent of the 40-year growth of the Benedictine community and its academy from the 1863 church/convent/school complex to this impressive campus. About five years after this photograph was taken, the addition of the spacious, copper-domed chapel and the Teresa Hall addition to the academy/college, gave St. Benedict's Convent the appearance of a full-fledged monastery with the college under its wing (Saint Benedict's Monastery Archives).
An aerial view shows Saint Benedict's Monastery's farm which had pastures, cultivated fields for crops and large gardens and shelter for cows, pigs, sheep and chickens.
Aerial view from the southwest, showing the rectory and school buildings. Taken before construction of Interstate 94, so shows homes and businesses in surrounding neighborhood.
Image includes view of Presbyterian church, 116 Court Street South; Grace Methodist Church, 216 Junius Avenue West; M. Benson building, 201 Lincoln Avenue West; Otter Tail River; Court Street and Union Street bridges; Park Region Lutheran College in background on right.
Family Films, Inc. (Holy Angels Church, St. Cloud, Minnesota)
Date Created:
1952 - 1954
Description:
"Saint Nicholas" shows the Wenner family praying with a lit candles on their Advent wreath. Saint Nicholas makes his appearance with treats for the family, a tradition on his feast, December 6. ""Saint Nicholas"" is one of thirty-nine films in the "Christ in the Home" series created in the early 1950s by Family Films for a weekly television series for Channel 11 (WMIN-TV) in the Twin Cities. Each program is based on a feast day, special observance or noteworthy Sunday in the liturgical year. Family Films, Inc. was formed in 1952 and operated out of a studio in Holy Angels Church, St. Cloud, Minnesota. The production team includes Father Edward Ramacher, photography; Father Vincent Huebsch, sound; Father Gordon Mycue, program director; Arnie Pung, KFAN engineer; Dick and Don DeZurik, Cathedral High School students who help with tapes in the library; Sisters Marold Kornovich and Arlynn Haan, teachers at Saint Augustine School; Edmund Linnemann, organist. (Sound quality for this film is poor.)
Family Films, Inc. (Holy Angels Church, St. Cloud, Minnesota)
Date Created:
1952 - 1954
Description:
"A Family Works Together" features the Spoden family working, playing and praying together. The father is believed to take the place of Christ as head of the family. Mr. Spoden is shown blessing his son before he leaves for college. "A Family Works Together" is one of thirty-nine films in the "Christ in the Home" series created in the early 1950s by Family Films for a weekly television series for Channel 11 (WMIN-TV) in the Twin Cities. Each program is based on a feast day, special observance or noteworthy Sunday in the liturgical year. Family Films, Inc. was formed in 1952 and operated out of a studio in Holy Angels Church, St. Cloud, Minnesota. The production team includes Father Edward Ramacher, photography; Father Vincent Huebsch, sound; Father Gordon Mycue, program director; Arnie Pung, KFAN engineer; Dick and Don DeZurik, Cathedral High School students who help with tapes in the library; Sisters Marold Kornovich and Arlynn Haan, teachers at Saint Augustine School; Edmund Linnemann, organist.
Studio portrait of Agnella Duesterman in long white dress, black tall heel boots, veil on head. She is holding a small black book that is resting on a table to her right; there is a candle on it. The background is a backdrop.
Alfred Elowson locks an exterior door at Salem Mission Church. This small photo was used in the "50 Years With Christ" booklet celebrating Salem's 50th anniversary.
Two presidents of Luther Theological Seminary, Alvin N. Rogness (1954-1974) on the left and T.F. (Thaddaeus Franke) Gullixson (1930-1954) are observing Fredrik A. Schiotz plant a seedling on the campus of Luther Theological Seminary in the St. Anthony Park neighborhood of St. Paul. Fredrik A. Schiotz was the president of the Evangelical Lutheran Church from 1954 to 1960. Back of photograph reads: Education, College & Sem, Luther Sem., St. Paul, Minn.
Andreas Helland (1870-1951) was a professor at Augsburg Seminary from 1905 to 1940. He was the author of an early definitive history of Augsburg Seminary titled ""Augsburg seminar: gjennem femti aar 1869-1919."" He also edited George Sverdrup's collected works and in 1947 wrote a biography of Sverdrup titled ""Georg Sverdrup: The Man and His Message."" Helland was very mission-minded and served the Lutheran Board of Missions as secretary (1907-1919), treasurer (1925-1929), and secretary-treasurer (1933-1946). Front of photograph reads: Prof. Andreas Helland, L.B.M. Mission Secretary.
Book containing announcements made at Sunday mass, including marriage banns, deaths, parish activities and news, annual financial reports. Also includes detailed accounting of the interior finish of the church and its elevation to a minor basilica. Book was also used as a scrapbook for programs and newspaper clippings pertaining to the church and Catholic events in the city.
Book containing announcements made at Sunday mass, including marriage banns, deaths, parish activities and news. Documents laying of the cornerstone for the Pro-Cathedral (later Basilica) of St. Mary in 1908. Also includes list of parish library holdings.
Book containing announcements made at Sunday Mass, including marriage banns, deaths, parish activities & news, and special Diocesan notices. Reverse of book includes financial records of expenditures and financial contributions listed by parishioner.
Book containing announcements made at Sunday Mass, including marriage banns, deaths, parish activities & news, and special Diocesan notices. Also includes roster of First Communion class attendees for 1883 and the parish choir.
Book containing announcements made at Sunday Mass, including marriage banns, deaths, parish activities, entertainments and news. Initial fundraising and groundbreaking for the new Pro Cathedral is documented.
Book containing announcements made at Sunday Mass, including marriage banns, deaths, parish activities, entertainments and news. Progress of the new Pro Cathedral building is documented.
Book containing announcements made at Sunday mass, including marriage banns, deaths, parish and civic activities. Documents first two years in the new Pro-Cathedral church. Includes some baptism records.
As early as 1923, there are records showing that Sisters were involved with bee culture. Left to right are Sister Annina Zierden, Sister Juliana Venne, Sister Crescentia Eich and Sister Amalia Eich.
The little insert is the first Thomson Township Apostolic Lutheran Congregation's old Church, and the larger photo is the new Thomson Township Apostolic Lutheran Congregation's church building, in 1936. It was dedicated to its holy purpose on Sunday, November 22, 1936, as the Finnish caption says.
Men in uniform, women, and religious men sit at long tables for the Passover Seder at the Army Technical School in Sioux Falls, South Dakota. R to L at head table: Eli H. Rudin, JWB-USC Director; Louis Koplow, JWB A&N Chairman, SD.; Rabbi Nathan Kohler; Rabbi Karl Richter; Chaplain Saul Kraft; Col. N. L. Cote, Commanding Officer; Lt. Col. C. R. Walters, Exec. Officer; Chaplain R. H. P. Ross, Post Chaplain; Chaplain C. W. McGeehon; Chaplain H. T. Bernthal; Chaplian Lowell Thompson.
Contributing Institution:
University of Minnesota Libraries, Nathan and Theresa Berman Upper Midwest Jewish Archives
Notarized document filed with St. Louis County officially changing the name of the Swedish Christian Mission Church to Salem Mission Church of West Duluth. This is a negative copy of the original document which was lost in the 1932 church fire
St. Louis County record of the 2nd, 3rd, and 4th Articles of the Articles of Incorporation of the Swedish Christian Mission Church, Duluth, Minnesota. This is a negative copy of the original document which was lost in the 1932 church fire
St. Louis County record of the Preamble and 1st article of the Articles of Incorporation of the Swedish Christian Mission Church, Duluth, Minnesota. This is a negative copy of the original document which was lost in the 1932 church fire
St. Benedict's Academy (1883-1909). The fact that a room was already set aside for art in the late 1890s attests to the sisters' desire to cultivate the love of beauty. The academy catalogues show the variety of courses that were available including oil painting. St. Benedict's Academy (later College) has produced notable artists, for example, Sister Thomas Carey, among its faculty and students throughout its history (Saint Benedict's Monastery Archives).
First 50 years of the College of Saint Benedict (CSB). For those who wish to study painting, china decorating, or crafts, the art studios offer special inspiration. Sun-flooded rooms with paneled ceilings, richly carved, a wide fire-place with hand-painted tiles, rare statuary, including pieces from Beuron--all contribute an atmosphere calculated to inspire the student with love for her work (College Bulletins).
Family Films, Inc. (Holy Angels Church, St. Cloud, Minnesota)
Date Created:
1952 - 1954
Description:
"Ash Wednesday" discusses the marking of ashes on the forehead, why ashes are used and where they come from. Father Vincent Huebsch signs the Komarek family with ashes. "Ash Wednesday" is one of thirty-nine films in the "Christ in the Home" series created in the early 1950s by Family Films for a weekly television series for Channel 11 (WMIN-TV) in the Twin Cities. Each program is based on a feast day, special observance or noteworthy Sunday in the liturgical year. Family Films, Inc. was formed in 1952 and operated out of a studio in Holy Angels Church, St. Cloud, Minnesota. The production team includes Father Edward Ramacher, photography; Father Vincent Huebsch, sound; Father Gordon Mycue, program director; Arnie Pung, KFAN engineer; Dick and Don DeZurik, Cathedral High School students who help with tapes in the library; Sisters Marold Kornovich and Arlynn Haan, teachers at Saint Augustine School; Edmund Linnemann, organist.
The photograph caption reads, "Asphult, 1889-1919." The church building was built in 1890 and vacated in 1965. In 1975 the building was moved to the Pennington County Historical Village in Thief River Falls, Minnesota.
Family Films, Inc. (Holy Angels Church, St. Cloud, Minnesota)
Date Created:
1952 - 1954
Description:
"Assumption" tells the history of this feast of Mary which celebrates her being taken into heaven. This belief surrounding Mary was proclaimed a dogma of the Church by Pope Pius XII in 1950.Slides from Ephesus are used to illustrate this story. The Girls' Choir sings "Hail Holy Queen Enthroned Above." "Assumption" is one of thirty-nine films in the "Christ in the Home" series created in the early 1950s by Family Films for a weekly television series for Channel 11 (WMIN-TV) in the Twin Cities. Each program is based on a feast day, special observance or noteworthy Sunday in the liturgical year. Family Films, Inc. was formed in 1952 and operated out of a studio in Holy Angels Church, St. Cloud, Minnesota. The production team includes Father Edward Ramacher, photography; Father Vincent Huebsch, sound; Father Gordon Mycue, program director; Arnie Pung, KFAN engineer; Dick and Don DeZurik, Cathedral High School students who help with tapes in the library; Sisters Marold Kornovich and Arlynn Haan, teachers at Saint Augustine School; Edmund Linnemann, organist.
Schools in North-central Minnesota (1871-1909). Eden Valley was platted in 1886 when the St. Paul, Minneapolis and Sault Ste. Marie Railroad Company laid their tracks through the area, Eden Valley developed rather rapidly. By 1901 three Benedictine sisters from St. Joseph went there to teach in temporary classrooms until the new parochial school was completed in 1902. Eventually the enrollment peaked at 310 with 8 sisters teaching at the Assumption School. Watkins The same year, the neighboring town of Watkins was platted along the same railroad. By 1907 the Catholic parish, St. Anthony's, in Watkins was large enough to build its own parochial school. The Benedictine sisters from St. Joseph were invited to teach there and the school soon realized an enrollment of 200 pupils. In subsequent years, the school developed to a peak of 321 students and for some years included high school classes (Saint Benedict's Monastery Archives, Olsenius, page 137).
This lecture is part of a series of lectures presented during Bethel University's Founders Week. The annual Founders Week conference centered around a contemporary theme. Invited speakers engaged the theme from divergent perspectives to an audience of pastors, laypersons, and Bethel college and seminary students. Note: The written transcript which accompanies this audio recording varies from the audio file. This written trasncript is the base test of the lecture; but slight variances in speech patterns and language will be found in the audio recording.
Attendees are gathered in Minnehaha Park. The label on the photo reads: "De Le' Pee Picnic Minnehaha Falls Sept. 2, 1923." In the early 1920's, Catholic deaf people in the Twin Cities organized the De L'Epee Society. This organization was named after Abbe Charles de L'Epee, who was a pioneer in deaf education in France. The man holding a hat and standing third from the left end, is Wesley Lauritsen. The man standing on the right end is Anton Schroeder. The black man standing in back, to the left of center, is Clarence Monroe. The man sitting in the center of the second row, to the left of a woman with a hat in her lap, is Jay Cooke Howard. The second person sitting to the right of Jay Cooke Howard is Dr. James L. Smith. The man sitting on the ground in the first row, with a dog in front of him, is Victor R. Spence.
St. Benedict's Academy (1883-1909). As St. Benedict's Academy's enrollment increased, a larger study hall included a stage so that the study hall could serve as an auditorium when needed. The school year was enhanced with performances by the Drama Club, Choral Group, and enriching lectures by guest speakers. One guest speaker, Herman Zschokke, chaplain to the Austrian imperial court and ex-rector of the University of Vienna, later described his visit to Minnesota in a book, "Nach Nordamericka und Canada." As the academy became a college centered on the west campus, a large Benedicta Arts Building/Petters Auditorium was built; it not only serves the college and Benedictine community but also central Minnesota (Saint Benedict's Monastery Archives; McDonald, pages 107-108)
First 50 years of the College of Saint Benedict (CSB). "The second floor provides a large study and assembly hall. A well-equipped stage in this hall makes it possible to use the assembly room as an auditorium. It is also provided with a motion picture machine, a balopticon, a stereopticon and a grand piano" (College Bulletin, 1926).
Audrey and Chip DeMann with man and woman (left to right) standing in front of William Archibald's grave in Dundas at the 125th Anniversary of Holy Cross Church.
This document is an Augsburg Seminary diploma that was presented in the 1880s. The diploma includes an engraving of the seminary's original Main Building which was destroyed by fire sometime before 1900. Diploma reads: Augsburg Seminary; Minneapolis, Minn. ... 188 ; Eksamens-Testimonium fra Augsburg Seminariums theologiske Fakultet; Hr. Kand. theol. ... har underkastet sig Eksamen ved Augsburg Seminarium og kan vi efter denne Pröve give ham vor Anbefaling som ... til det kirkelige Loere- og Praedike-Embede. Translation of diploma: Augsburg Seminary; Minneapolis, Minn. ... 188 ; The Certificate of the Exam from Augsburg Seminary's theological faculty; Mr. Candidate of Theology ... has undergone the exam at Augsburg Seminary and after this test we can give him a recommendation as [qualified, highly qualified, exceptional] to the churchly office of teaching and preaching.
This photograph shows a picture of the Augsburg Seminary student body standing in front of Old Main in February 1918. The panoramic photograph allows you to see some of the homes in the surrounding neighborhood. In the 1870s, the Conference for the Norwegian-Danish Evangelical Lutheran Church in America, commonly called ""the Conference,"" called two young men to serve as professors at its school, Augsburg Seminary. Sven Oftedal began in 1873, and Georg Sverdrup in 1874.These two men defined the institution and its supporting congregations for the next several decades. Their vision of Augsburg Seminary was for a cohesive nine year program: a two year academy, a four year college, and a three year seminary. In 1890, the Conference merged with the Norwegian Augustana Synod and a breakaway group from the Norwegian Synod known as the ""Anti-Missourian Brotherhood"" to form the United Norwegian Lutheran Church. Augsburg was to be the seminary of the new church body, but a controversy soon developed over the role of Augsburg's college department vis-a-vis St. Olaf College which has been loosely associated with the Anti-Missourian Brotherhood. Known as the ""Augsburg Controversy,"" contentious court battles went to the Minnesota Supreme Court. Eventually, Augsburg Seminary and its supporters formed a new church body in 1897 called the Lutheran Free Church. Front of photograph reads: Augsburg Seminary, Feb. 1918, Craft Studio. Back of photograph reads: Old Main Building.
Ronald Youngblood lecture recorded during Founders Week, February 1-5, 1971. Note: The written transcript which accompanies this audio recording varies from the audio file. This written transcript is the basic text of the sermon; but slight variances in speech patterns and language will be found in the audio recording.
Millard J. Erickson lecture recorded during Founders Week, February 1-5, 1971. Note: The written transcript which accompanies this audio recording varies from the audio file. This written transcript is the basic text of the sermon; but slight variances in speech patterns and language will be found in the audio recording.
This lecture is part of a series of lectures presented during Bethel University's Founders Week. The annual Founders Week conference centered around a contemporary theme. Invited speakers engaged the theme from divergent perspectives to an audience of pastors, laypersons, and Bethel college and seminary students. Note: The written transcript which accompanies this audio recording varies from the audio file. This written trasncript is the base test of the lecture; but slight variances in speech patterns and language will be found in the audio recording.
Pearl Bankman Sakol (4th from top right) and her family gather around two tables for the Passover Seder. The view of the photograph is from slightly above.
Contributing Institution:
University of Minnesota Libraries, Nathan and Theresa Berman Upper Midwest Jewish Archives
Exterior view of the Baptist Church in Monterey. In 1959 the villages of Triumph and Moneterey were consolidated under the new name of Trimont, Minnesota.
White Bear Lake Church, 1867-1933. The name changed to Barsness Lutheran Church reflecting its location in Barsness Township in 1933 and remains an active congregation in 2010. This image shows the exterior of the church built in 1883, north and west facades as viewed from across the cemetery. A new basement was built under the structure in 1930 and was fully remodeled and redecorated in 1937.
The vested Basilica Boys' Choir stands and sings carols before the 5:00 a.m. Mass on Christmas morning. Choir director and organist George Bussman plays a small portable organ just outside the sacristy rail. Boys pictured include: Tommy Hendricks, Martin Strong, Tom Bennett, Danny Stone, and Laird Miller.
View from Hennepin Avenue of the church, hung with banners for the Ninth National Eucharistic Congress on the day of its Consecration. Father Hennepin Memorial is obscured by a tree.
Front exterior is hung with multiple banners. A number of Congress events were held at the church, and rector Father James M. Reardon was General Chairman of the event.
Church and rectory seen through trees along 16th Street North. Noted on reverse by the rector, "The New Look" - probably refers to recent work cleaning the stone and retuckpointing.
Postcard of the "New Cathedral. Minneapolis. Minn," the Pro-Cathedral of Saint Mary. Building has a round dome, a design ultimately changed by architect Emmanuel Masqueray. Church is shown surrounded by trees and parkland.
Panoramic photograph of the students of the Basilica School, grades 1 through 8. The children are posed on the south side steps of the school building.
Belle Plaine Episcopal Church with fence, light post, entry. Man and woman standing at fence gate. Facing upper right corner of image black. Mounted on paperboard. Silvery gray tones, visable grain of paper.
Black and white photograph. View of Sacred Heart Church from balcony-alter in alcove behind large arch, serval pews and chandelier in foreground, curved arch over alter, carved wood pulpit on (photo's)right of alter, statues on either side of alter, with small cloth covered alters (candles and other items on alter) directly under statues, four frames hung on wall from ceiling coving (frames lean away from wall), religious paintings on either side of alter (high on wall) - above on heavy cardboard - embelished in corners geometric design and edges with lines in gold ink. Rear handwriting reads; blue ink "Sacred Heart Church", black ink "176", pencil "p169 top 100%", pencil "041" in circle.
Before construction began on the Kenwood site, Duluth Benedictine sisters enjoyed outings to the farm. The young women in black dresses and veiled bonnets are postulants.
